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Black Swan - 3 This is the “third” work of the artist's out of 3-piece "Black Swan" series. In every human being, there is good and evil, both of which complement the person. Without good, evil cannot be defined, if there is no evil, there is no definition of good. Whichever side we feed, we strengthen it. Walk on your way... Just by paying close attention to your sharp-edged feelings and behaviors. Continue on your way ... Just paying close attention to your sharp-edged feelings and behavior. Maybe a little bit of chamfer. "Kiln casting" technique is used for this work. This glass shaping technique, also known as the furnace shaping technique, is a technique that has significant similarities with sculpture and ceramics and is made by hand shaping. In practice, the clay model of the glass sculpture is prepared, the plaster mold of the model is taken, then the glass pieces are placed in the mold and the glass is melted into the mold at about 840 degrees and baked at high temperature to take the shape of the model. The firing time varies depending on the thickness of the glass in a period of one to two weeks. After the glass has cooled, the mold is broken and the glass sculpture is cleaned and the outer surfaces are polished and the glass is given its final shape. The thickness of black and white cast glasses is approximately 4,5 cm. The base of this sculpture is made of the antiqued brass plate. It is a work in one piece. parts do not separate. It will be packaged in this condition and shipped safely.
Black Swan - 3 This is the “third” work of the artist's out of 3-piece "Black Swan" series. In every human being, there is good and evil, both of which complement the person. Without good, evil cannot be defined, if there is no evil, there is no definition of good. Whichever side we feed, we strengthen it. Walk on your way... Just by paying close attention to your sharp-edged feelings and behaviors. Continue on your way ... Just paying close attention to your sharp-edged feelings and behavior. Maybe a little bit of chamfer. "Kiln casting" technique is used for this work. This glass shaping technique, also known as the furnace shaping technique, is a technique that has significant similarities with sculpture and ceramics and is made by hand shaping. In practice, the clay model of the glass sculpture is prepared, the plaster mold of the model is taken, then the glass pieces are placed in the mold and the glass is melted into the mold at about 840 degrees and baked at high temperature to take the shape of the model. The firing time varies depending on the thickness of the glass in a period of one to two weeks. After the glass has cooled, the mold is broken and the glass sculpture is cleaned and the outer surfaces are polished and the glass is given its final shape. The thickness of black and white cast glasses is approximately 4,5 cm. The base of this sculpture is made of the antiqued brass plate. It is a work in one piece. parts do not separate. It will be packaged in this condition and shipped safely.
Black Swan - 3 This is the “third” work of the artist's out of 3-piece "Black Swan" series. In every human being, there is good and evil, both of which complement the person. Without good, evil cannot be defined, if there is no evil, there is no definition of good. Whichever side we feed, we strengthen it. Walk on your way... Just by paying close attention to your sharp-edged feelings and behaviors. Continue on your way ... Just paying close attention to your sharp-edged feelings and behavior. Maybe a little bit of chamfer. "Kiln casting" technique is used for this work. This glass shaping technique, also known as the furnace shaping technique, is a technique that has significant similarities with sculpture and ceramics and is made by hand shaping. In practice, the clay model of the glass sculpture is prepared, the plaster mold of the model is taken, then the glass pieces are placed in the mold and the glass is melted into the mold at about 840 degrees and baked at high temperature to take the shape of the model. The firing time varies depending on the thickness of the glass in a period of one to two weeks. After the glass has cooled, the mold is broken and the glass sculpture is cleaned and the outer surfaces are polished and the glass is given its final shape. The thickness of black and white cast glasses is approximately 4,5 cm. The base of this sculpture is made of the antiqued brass plate. It is a work in one piece. parts do not separate. It will be packaged in this condition and shipped safely.
Black Swan - 3 This is the “third” work of the artist's out of 3-piece "Black Swan" series. In every human being, there is good and evil, both of which complement the person. Without good, evil cannot be defined, if there is no evil, there is no definition of good. Whichever side we feed, we strengthen it. Walk on your way... Just by paying close attention to your sharp-edged feelings and behaviors. Continue on your way ... Just paying close attention to your sharp-edged feelings and behavior. Maybe a little bit of chamfer. "Kiln casting" technique is used for this work. This glass shaping technique, also known as the furnace shaping technique, is a technique that has significant similarities with sculpture and ceramics and is made by hand shaping. In practice, the clay model of the glass sculpture is prepared, the plaster mold of the model is taken, then the glass pieces are placed in the mold and the glass is melted into the mold at about 840 degrees and baked at high temperature to take the shape of the model. The firing time varies depending on the thickness of the glass in a period of one to two weeks. After the glass has cooled, the mold is broken and the glass sculpture is cleaned and the outer surfaces are polished and the glass is given its final shape. The thickness of black and white cast glasses is approximately 4,5 cm. The base of this sculpture is made of the antiqued brass plate. It is a work in one piece. parts do not separate. It will be packaged in this condition and shipped safely.
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Black Swan - Separate Worlds Sculpture

Gamze Haberal

Turkey

Sculpture, Glass on Glass

Size: 11 W x 13.8 H x 5.5 D in

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$5,450

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About The Artwork

Balance's Edge - Black Swan Revelation It marks the culmination of the artist's profound exploration into the depths of human nature, completing the mesmerizing trilogy of the "Black Swan" series. In every human being, there is good and evil, both of which complement the person. Without good, evil cannot be defined, if there is no evil, there is no definition of good. Whichever side we feed, we strengthen it. Rooted in the timeless truth that within every individual resides both light and darkness, this piece delves into the intricate interplay between good and evil, offering a poignant reflection on the essence of existence. As we navigate the complexities of life, we are confronted with the eternal struggle between opposing forces, each vying for dominance within our souls. Yet, it is the delicate balance between these contrasting elements that defines our humanity. With every choice we make, we shape our destiny, either nurturing the light within or succumbing to the shadows. The resulting sculpture, with its thickness of approximately 4.5 cm in both black and white cast glasses, stands as a tangible representation of the eternal struggle between light and darkness. Resting upon an antiqued brass plate base, it exudes an aura of timeless elegance and sophistication. Walk on your way... Just by paying close attention to your sharp-edged feelings and behaviors. Continue on your way ... Maybe a little bit of chamfer. The thickness of black and white cast glasses is approximately 4,5 cm. The base of this sculpture is made of an antiqued brass plate.

Details & Dimensions

Sculpture:Glass on Glass

Original:One-of-a-kind Artwork

Size:11 W x 13.8 H x 5.5 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

She was born in Istanbul in 1969. She studied Sociology at Istanbul University. She developed her techniques in painting by working with master painters such as İnci Eviner, Şule Ulusoy, and Hasan Kavruk. She founded "Dega Art Gallery" in 1996 and continued painting together with her professional art gallery management, Hosted more than thirty fairs and exhibitions. In 2008, She started working on the glass beside painting too. In her own studio, she focused on “kiln casting” and “Pate de Verre” techniques for a long time with some national and international master glass artists. She worked with Spanish artist Pilar Aldana Mendez. She still continues her artistic life with her artworks at her own glass studio in Istanbul, Galata region by using the techniques of "Pate de Verre", "Fusion", "Casting Glass”, “Lost Wax”, and "Lampworking".

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