VIEW IN MY ROOM
Latvia
Sculpture, Paper mache on Paper
Size: 10.6 W x 21.3 H x 13.4 D in
Ships in a Box
“Chained & Headless” is a 3D variation from “Homage to a Man Who Feared to Lose Paradise”. The chained figure has stepped out from paintings: headless, slightly bleeding and covered with roses and mayflowers. The sculpture is kinky and innocent at the same time, due to it’s pale rose, pink and white colors. I have used various kind of used paper, lace, organza, crystals, beads, chains and artificial flowers. The figure is kneeling, probably in awe, maybe in submission.
Original Created:2019
Subjects:Men
Materials:PaperSoft (Yarn, Cotton, Fabric)Other
Mediums:Paper macheFabricPaint
Sculpture:Paper mache on Paper
Original:One-of-a-kind Artwork
Size:10.6 W x 21.3 H x 13.4 D in
Frame:Not applicable
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Latvia.
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My love for printed words is so strong that I make paintings and sculptures from orphaned books. I add different sorts of paper, textile fiber and found objects and treat this mixture as if it was a marble mine. I regard all human-made commodities as the raw material of the 21st century, they add opulence, playfulness and weirdness to my objects. My sculptures are hybrids - installations, huge marionettes and idol figures. I overcome gravity using a technique from marionette theater. Sculptures float in air and strings make them alive. I paint because I'm volatile. I catch all my demons and fears with a brush, so they are not threatening anymore. I'm hesitant, that's why I paint portraits in real time. Models don't have to speak. Sometimes I lay paintings in a horizontal plane, like huge rolls of parchment. The public can touch it, walk and crawl on it, contemplating the importance of daily grounding. I'm a mystic. I borrow deities and create semisacred, eerie spaces where sculptures, paintings, words and animation merge in a numinous, baroque amalgam. I love the tactile. My objects are sensuous to touch. I love word constellations, so there are collections of short stories to accompany the visual work. In a courageous mood, I transform stories into puppet performances and collaborate with theaters and musicians.
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