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Sculpture, Digital on Aluminium
Size: 47.2 W x 47.2 H x 0.2 D in
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Colorfield ABEXRM24 - Circle Abstract Digital Digital painting/sculpture. This artwork will be digitally printed on aluminium, with high quality ink colors, Eco and finally a layer of UV protective varnish. For ready to hang please contact me through Saatchiart Curators or by email. The artwork has its certificate of authenticity and will be sent. Signed on front. Digital painting uses tools such as technological hardware and software (with all their peculiar characteristics such as pixels), instead of traditional ones (such as oil colors). The artwork is made with a patient, how long work of digital painting. It can be printed on different types of support, customized measurements, so please if you want a different type of support or or customizations, specify this to the Saatchiart Curators or Saatchiart Support, Thank You. For any information you can also contact me. Have fun and love! (Enjoy today, because no one knows about tomorrow)
2023
Digital on Aluminium
One-of-a-kind Artwork
47.2 W x 47.2 H x 0.2 D in
Not Framed
No
Ships in a Box
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Italy.
Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.
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A hard personal experience superimposed on the covid period, which changed my life forever, gave me reason to appreciate even more the strength of color, line and expression. "The Whole goes beyond Form". I enjoy expressing myself with different techniques: painting, drawing, photography. I can imagine that initially the collector or the beholder of my works can be a little crowded out or confused. The hallmark of my work is not found in the repetition of the same technique, again and again, but in some features of the technique itself and. The sign, the theme, the subject... are the way you can recognize my "signature." Living in Italy, every day I live together archeology, painting, architecture and Roman statuary, the Renaissance, the Baroque and all the other great styles, artistic periods and collections that are here, in Rome and in Italy. This is in my history, in my roots. In the history and roots of Western art. I have always felt a fascination for drawing since I was a child. I was fascinated by the idea of translating fantasy stories or even the first knowledge I got in school in images. I remember my notebooks: they were full of stories with drawings and illustrations of what I was learning at school. This is the way I learned new techniques and I improved my abilities: pencil, charcoal, pen, oil-colours, acrylics, using different styles and painting supports. I have painted soft and wavy landscapes, which sometimes are rough and separated by plains. I saw these landscapes in Rome as I was a child and they come to my mind in my every day life. This is the Nature where History traces overlap and they get, in turn, enveloped by Nature. There is a continuous and silent conflict between these two elements. These conflict, together with Rome and its history, its streets, its ruins and of course its colours is the leit motiv of my work. These themes are here, at your fingertips. It's present history. I cannot describe with words what exactly I feel when I'm surrounded by these "strong" landscapes and I try to paint them. I have completed my knowledge on image studying and acquiring certificates on web design and commercial art and working as a graphic designer. At the moment I work in the Public Italian School as an Art Teacher. I took part in many collective exhibits. My works are in private collections in Italy, Europe, Japan, USA, China, Australia.
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