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Sculpture, aluminum on Other
Size: 4.7 W x 4.5 H x 3.3 D in
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This project is based on a short story that I wrote in 2013 entitled Aproximacion a Etemenanki: Short essay that deepens the dream of a virtual librarian: The meeting between Alexander of Macedonia and a Ziqqurratu of Babylon. Aproximacion a Etemenanki "In the middle of it you can see a solid tower built that is one stadium high and another stadium thick. On top of this a second one is built, then another third, and so on until reaching the number of eight towers". Herodotus (484 BC - 425 BC) First book, chapter 181, page 178 of the Nine Books of History In the course of time the repeatedly demolished tower virtually receives the librarian in waterlogged ruins covered with foliage. Xerxes the Great may have been the last to see it in its splendor (1). Before his eyes the demolished tower takes on the shape of a shovel whose axis symbolized the staircase to the temple of heaven where the librarian glimpses a lightning bolt devastating it, according to records of the wise Tudela (2). Perhaps due to divine retaliation as the rabbi deduces, or due to metals at their peak as the librarian concludes. Established in laconic translations, in quotes from the father of history and in the Esagil tablet (3), the librarian falsely lucubrates the conqueror (4) - in the ziggurat: At first he imagines him breaking into the sacred chamber of the eighth floor: The temple to Marduk, on a cot, next to a golden table glimpsing the firmament and an infinite desert. Imagine also the presence of the daughter of the country there, in the shakhuru (5) welcoming you. -The bookkeeper conjectures – from the ethereal temple that the god will not come out while the Great One is there.....(...).
aluminum on Other
One-of-a-kind Artwork
4.7 W x 4.5 H x 3.3 D in
Not Framed
Not applicable
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The inability to copy the perfection of nature leads me to the desesculturas, located in the threshold of the beginning and the end of the work, trying the impossible: to melt the wood with aluminum, cement and iron. Something similar happens with utopia, that the further away from the possible greater influence is acquired, my desesculturas are placed between the previous and the later to the work, the border of the creative process, the half of the history, the unfinished story, etc. As Michael Foucault put it: "The transgression is a gesture that refers to the limit, the transgression and the limit, but in transgressing, in Bataille, does not consist in opposing the limit or deny it, but, on the contrary, in affirming it." My Desesculturas do not pretend to comply with anything, they do not seek to solve anything but to raise conjectures, occupy spaces, leave messages. My project covers painting, sculpture and also literature (fantastic stories and poetry), everything depends on the state of mind. I was born in a coastal town called Lagunillas but I currently live in the Venezuelan state of Trujillo.
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