view additional image 1
Colour: Glass glazed black
Limited Edition: 50 + 5 AP
Material: Porcelain
Size: 35 x 25 x 25.5cm
Made by Lapin Factory
100% Handcrafted by the artist
Includes a signed and numbered certificate of authenticity
Handcrafted Printed paper box with die-cut protection foam
Delivery Date: End of March, 2020

*The item shown is a prototype, the final shipped production piece may differ in appearance as each art piece is unique
ATTENTION: PLEASE USE CAUTION DURING ASSEMBLY

Whether it’s the cinematic Wild West‘s ‘white hat’ law-bringers shooting from twenty paces at ‘black hat’ scoundrels or Medieval literature‘s virtuous white knights clashing swords with sinister black knights, it seems like we’ve sought since time immemorial to visualize good and evil as these opposing, contrasting colors. And similar instances date back to when Byzantine era artists depicted white doves as divine messengers and black crows as ill omens, both images being rich in biblical symbolism. And this iconography is what modern minimalist mr clement seemingly draws upon for his two newest glass-glazed porcelain sculptural editions — the white Hanging on for dear love and the black Direction of flight — each of which portrays the artist’s anthropomorphic, rabbit-like lapin character riding atop a massive version of his fictional ji ja bird creation.


Though mr clement’s personal religious beliefs are unknown, it’s difficult to ignore the prominent Christian symbolism that pervades these works, each containing a multitude of aspects that any student of classical art would recognize. Hanging on for dear love, for instance, is adorned in white, a color associated with purity and innocence, making the appearance of this ji ja bird instantly become synonymous with that of a dove. Its beak clenches a thornless white rose, Christianity’s floral symbol of the Virgin Mary’s sinless existence, an aspect that seems to enforce classical art’s view of the dove as a heavenly guide. And due to the sculpture being posed as if soaring with purposeful speed, its lapin passenger grasping its backside for dear life, its almost inevitable that one could interpret the flight path as being heavenward, the bird carrying its worthy charge to a well-deserved afterlife.


In opposition to the straight-forward interpretation that can be placed onto Hanging on for dear love, its complimentary sculpture — Direction of flight — conceals a potentially complex meaning. Coated in black, a color commonly associated with death and devilish misdeeds, its presence likens this ji ja bird to the crow or raven, avians that typically imply demonic portents. But pointing the direction of flight is the lapin rider, a pair of metal keys grasped in its hand. As this iconography frequently relates to Saint Peter‘s sacred sovereignty to admit people into heaven, it completely alters the perception from what could’ve been a hellbound soul into one being guided towards the light. And while these two completely handcrafted designs have impact individually, each one limited to 50 copies (plus 5 Artist Proof pieces), they carry the most significance when paired together, allowing viewers to fully question the meanings we impose within a black-and-white world.

Text by NICK CURTIS @coartmag.com/
Colour: Glass glazed black
Limited Edition: 50 + 5 AP
Material: Porcelain
Size: 35 x 25 x 25.5cm
Made by Lapin Factory
100% Handcrafted by the artist
Includes a signed and numbered certificate of authenticity
Handcrafted Printed paper box with die-cut protection foam
Delivery Date: End of March, 2020

*The item shown is a prototype, the final shipped production piece may differ in appearance as each art piece is unique
ATTENTION: PLEASE USE CAUTION DURING ASSEMBLY

Whether it’s the cinematic Wild West‘s ‘white hat’ law-bringers shooting from twenty paces at ‘black hat’ scoundrels or Medieval literature‘s virtuous white knights clashing swords with sinister black knights, it seems like we’ve sought since time immemorial to visualize good and evil as these opposing, contrasting colors. And similar instances date back to when Byzantine era artists depicted white doves as divine messengers and black crows as ill omens, both images being rich in biblical symbolism. And this iconography is what modern minimalist mr clement seemingly draws upon for his two newest glass-glazed porcelain sculptural editions — the white Hanging on for dear love and the black Direction of flight — each of which portrays the artist’s anthropomorphic, rabbit-like lapin character riding atop a massive version of his fictional ji ja bird creation.


Though mr clement’s personal religious beliefs are unknown, it’s difficult to ignore the prominent Christian symbolism that pervades these works, each containing a multitude of aspects that any student of classical art would recognize. Hanging on for dear love, for instance, is adorned in white, a color associated with purity and innocence, making the appearance of this ji ja bird instantly become synonymous with that of a dove. Its beak clenches a thornless white rose, Christianity’s floral symbol of the Virgin Mary’s sinless existence, an aspect that seems to enforce classical art’s view of the dove as a heavenly guide. And due to the sculpture being posed as if soaring with purposeful speed, its lapin passenger grasping its backside for dear life, its almost inevitable that one could interpret the flight path as being heavenward, the bird carrying its worthy charge to a well-deserved afterlife.


In opposition to the straight-forward interpretation that can be placed onto Hanging on for dear love, its complimentary sculpture — Direction of flight — conceals a potentially complex meaning. Coated in black, a color commonly associated with death and devilish misdeeds, its presence likens this ji ja bird to the crow or raven, avians that typically imply demonic portents. But pointing the direction of flight is the lapin rider, a pair of metal keys grasped in its hand. As this iconography frequently relates to Saint Peter‘s sacred sovereignty to admit people into heaven, it completely alters the perception from what could’ve been a hellbound soul into one being guided towards the light. And while these two completely handcrafted designs have impact individually, each one limited to 50 copies (plus 5 Artist Proof pieces), they carry the most significance when paired together, allowing viewers to fully question the meanings we impose within a black-and-white world.

Text by NICK CURTIS @coartmag.com/
Colour: Glass glazed black
Limited Edition: 50 + 5 AP
Material: Porcelain
Size: 35 x 25 x 25.5cm
Made by Lapin Factory
100% Handcrafted by the artist
Includes a signed and numbered certificate of authenticity
Handcrafted Printed paper box with die-cut protection foam
Delivery Date: End of March, 2020

*The item shown is a prototype, the final shipped production piece may differ in appearance as each art piece is unique
ATTENTION: PLEASE USE CAUTION DURING ASSEMBLY

Whether it’s the cinematic Wild West‘s ‘white hat’ law-bringers shooting from twenty paces at ‘black hat’ scoundrels or Medieval literature‘s virtuous white knights clashing swords with sinister black knights, it seems like we’ve sought since time immemorial to visualize good and evil as these opposing, contrasting colors. And similar instances date back to when Byzantine era artists depicted white doves as divine messengers and black crows as ill omens, both images being rich in biblical symbolism. And this iconography is what modern minimalist mr clement seemingly draws upon for his two newest glass-glazed porcelain sculptural editions — the white Hanging on for dear love and the black Direction of flight — each of which portrays the artist’s anthropomorphic, rabbit-like lapin character riding atop a massive version of his fictional ji ja bird creation.


Though mr clement’s personal religious beliefs are unknown, it’s difficult to ignore the prominent Christian symbolism that pervades these works, each containing a multitude of aspects that any student of classical art would recognize. Hanging on for dear love, for instance, is adorned in white, a color associated with purity and innocence, making the appearance of this ji ja bird instantly become synonymous with that of a dove. Its beak clenches a thornless white rose, Christianity’s floral symbol of the Virgin Mary’s sinless existence, an aspect that seems to enforce classical art’s view of the dove as a heavenly guide. And due to the sculpture being posed as if soaring with purposeful speed, its lapin passenger grasping its backside for dear life, its almost inevitable that one could interpret the flight path as being heavenward, the bird carrying its worthy charge to a well-deserved afterlife.


In opposition to the straight-forward interpretation that can be placed onto Hanging on for dear love, its complimentary sculpture — Direction of flight — conceals a potentially complex meaning. Coated in black, a color commonly associated with death and devilish misdeeds, its presence likens this ji ja bird to the crow or raven, avians that typically imply demonic portents. But pointing the direction of flight is the lapin rider, a pair of metal keys grasped in its hand. As this iconography frequently relates to Saint Peter‘s sacred sovereignty to admit people into heaven, it completely alters the perception from what could’ve been a hellbound soul into one being guided towards the light. And while these two completely handcrafted designs have impact individually, each one limited to 50 copies (plus 5 Artist Proof pieces), they carry the most significance when paired together, allowing viewers to fully question the meanings we impose within a black-and-white world.

Text by NICK CURTIS @coartmag.com/
Colour: Glass glazed black
Limited Edition: 50 + 5 AP
Material: Porcelain
Size: 35 x 25 x 25.5cm
Made by Lapin Factory
100% Handcrafted by the artist
Includes a signed and numbered certificate of authenticity
Handcrafted Printed paper box with die-cut protection foam
Delivery Date: End of March, 2020

*The item shown is a prototype, the final shipped production piece may differ in appearance as each art piece is unique
ATTENTION: PLEASE USE CAUTION DURING ASSEMBLY

Whether it’s the cinematic Wild West‘s ‘white hat’ law-bringers shooting from twenty paces at ‘black hat’ scoundrels or Medieval literature‘s virtuous white knights clashing swords with sinister black knights, it seems like we’ve sought since time immemorial to visualize good and evil as these opposing, contrasting colors. And similar instances date back to when Byzantine era artists depicted white doves as divine messengers and black crows as ill omens, both images being rich in biblical symbolism. And this iconography is what modern minimalist mr clement seemingly draws upon for his two newest glass-glazed porcelain sculptural editions — the white Hanging on for dear love and the black Direction of flight — each of which portrays the artist’s anthropomorphic, rabbit-like lapin character riding atop a massive version of his fictional ji ja bird creation.


Though mr clement’s personal religious beliefs are unknown, it’s difficult to ignore the prominent Christian symbolism that pervades these works, each containing a multitude of aspects that any student of classical art would recognize. Hanging on for dear love, for instance, is adorned in white, a color associated with purity and innocence, making the appearance of this ji ja bird instantly become synonymous with that of a dove. Its beak clenches a thornless white rose, Christianity’s floral symbol of the Virgin Mary’s sinless existence, an aspect that seems to enforce classical art’s view of the dove as a heavenly guide. And due to the sculpture being posed as if soaring with purposeful speed, its lapin passenger grasping its backside for dear life, its almost inevitable that one could interpret the flight path as being heavenward, the bird carrying its worthy charge to a well-deserved afterlife.


In opposition to the straight-forward interpretation that can be placed onto Hanging on for dear love, its complimentary sculpture — Direction of flight — conceals a potentially complex meaning. Coated in black, a color commonly associated with death and devilish misdeeds, its presence likens this ji ja bird to the crow or raven, avians that typically imply demonic portents. But pointing the direction of flight is the lapin rider, a pair of metal keys grasped in its hand. As this iconography frequently relates to Saint Peter‘s sacred sovereignty to admit people into heaven, it completely alters the perception from what could’ve been a hellbound soul into one being guided towards the light. And while these two completely handcrafted designs have impact individually, each one limited to 50 copies (plus 5 Artist Proof pieces), they carry the most significance when paired together, allowing viewers to fully question the meanings we impose within a black-and-white world.

Text by NICK CURTIS @coartmag.com/
Colour: Glass glazed black
Limited Edition: 50 + 5 AP
Material: Porcelain
Size: 35 x 25 x 25.5cm
Made by Lapin Factory
100% Handcrafted by the artist
Includes a signed and numbered certificate of authenticity
Handcrafted Printed paper box with die-cut protection foam
Delivery Date: End of March, 2020

*The item shown is a prototype, the final shipped production piece may differ in appearance as each art piece is unique
ATTENTION: PLEASE USE CAUTION DURING ASSEMBLY

Whether it’s the cinematic Wild West‘s ‘white hat’ law-bringers shooting from twenty paces at ‘black hat’ scoundrels or Medieval literature‘s virtuous white knights clashing swords with sinister black knights, it seems like we’ve sought since time immemorial to visualize good and evil as these opposing, contrasting colors. And similar instances date back to when Byzantine era artists depicted white doves as divine messengers and black crows as ill omens, both images being rich in biblical symbolism. And this iconography is what modern minimalist mr clement seemingly draws upon for his two newest glass-glazed porcelain sculptural editions — the white Hanging on for dear love and the black Direction of flight — each of which portrays the artist’s anthropomorphic, rabbit-like lapin character riding atop a massive version of his fictional ji ja bird creation.


Though mr clement’s personal religious beliefs are unknown, it’s difficult to ignore the prominent Christian symbolism that pervades these works, each containing a multitude of aspects that any student of classical art would recognize. Hanging on for dear love, for instance, is adorned in white, a color associated with purity and innocence, making the appearance of this ji ja bird instantly become synonymous with that of a dove. Its beak clenches a thornless white rose, Christianity’s floral symbol of the Virgin Mary’s sinless existence, an aspect that seems to enforce classical art’s view of the dove as a heavenly guide. And due to the sculpture being posed as if soaring with purposeful speed, its lapin passenger grasping its backside for dear life, its almost inevitable that one could interpret the flight path as being heavenward, the bird carrying its worthy charge to a well-deserved afterlife.


In opposition to the straight-forward interpretation that can be placed onto Hanging on for dear love, its complimentary sculpture — Direction of flight — conceals a potentially complex meaning. Coated in black, a color commonly associated with death and devilish misdeeds, its presence likens this ji ja bird to the crow or raven, avians that typically imply demonic portents. But pointing the direction of flight is the lapin rider, a pair of metal keys grasped in its hand. As this iconography frequently relates to Saint Peter‘s sacred sovereignty to admit people into heaven, it completely alters the perception from what could’ve been a hellbound soul into one being guided towards the light. And while these two completely handcrafted designs have impact individually, each one limited to 50 copies (plus 5 Artist Proof pieces), they carry the most significance when paired together, allowing viewers to fully question the meanings we impose within a black-and-white world.

Text by NICK CURTIS @coartmag.com/
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Direction of flight Sculpture - Limited Edition of 50

mr clement

Japan

Sculpture, Ceramic on Glass

Size: 9.8 W x 10 H x 13.8 D in

Ships in a Box

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SOLD
Originally listed for $610
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About The Artwork

Colour: Glass glazed black Limited Edition: 50 + 5 AP Material: Porcelain Size: 35 x 25 x 25.5cm Made by Lapin Factory 100% Handcrafted by the artist Includes a signed and numbered certificate of authenticity Handcrafted Printed paper box with die-cut protection foam Delivery Date: End of March, 2020 *The item shown is a prototype, the final shipped production piece may differ in appearance as each art piece is unique ATTENTION: PLEASE USE CAUTION DURING ASSEMBLY Whether it’s the cinematic Wild West‘s ‘white hat’ law-bringers shooting from twenty paces at ‘black hat’ scoundrels or Medieval literature‘s virtuous white knights clashing swords with sinister black knights, it seems like we’ve sought since time immemorial to visualize good and evil as these opposing, contrasting colors. And similar instances date back to when Byzantine era artists depicted white doves as divine messengers and black crows as ill omens, both images being rich in biblical symbolism. And this iconography is what modern minimalist mr clement seemingly draws upon for his two newest glass-glazed porcelain sculptural editions — the white Hanging on for dear love and the black Direction of flight — each of which portrays the artist’s anthropomorphic, rabbit-like lapin character riding atop a massive version of his fictional ji ja bird creation. Though mr clement’s personal religious beliefs are unknown, it’s difficult to ignore the prominent Christian symbolism that pervades these works, each containing a multitude of aspects that any student of classical art would recognize. Hanging on for dear love, for instance, is adorned in white, a color associated with purity and innocence, making the appearance of this ji ja bird instantly become synonymous with that of a dove. Its beak clenches a thornless white rose, Christianity’s floral symbol of the Virgin Mary’s sinless existence, an aspect that seems to enforce classical art’s view of the dove as a heavenly guide. And due to the sculpture being posed as if soaring with purposeful speed, its lapin passenger grasping its backside for dear life, its almost inevitable that one could interpret the flight path as being heavenward, the bird carrying its worthy charge to a well-deserved afterlife. In opposition to the straight-forward interpretation that can be placed onto Hanging on for dear love, its complimentary sculpture — Direction of flight — conceals a potentially complex meaning. Coated in black, a color commonly associated with death and devilish misdeeds, its presence likens this ji ja bird to the crow or raven, avians that typically imply demonic portents. But pointing the direction of flight is the lapin rider, a pair of metal keys grasped in its hand. As this iconography frequently relates to Saint Peter‘s sacred sovereignty to admit people into heaven, it completely alters the perception from what could’ve been a hellbound soul into one being guided towards the light. And while these two completely handcrafted designs have impact individually, each one limited to 50 copies (plus 5 Artist Proof pieces), they carry the most significance when paired together, allowing viewers to fully question the meanings we impose within a black-and-white world. Text by NICK CURTIS @coartmag.com/

Details & Dimensions

Sculpture:Ceramic on Glass

Artist Produced Limited Edition of:50

Size:9.8 W x 10 H x 13.8 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Born in Hong Kong at 1980. moved to London at 2004 and Tokyo at 2016, currently living in Taiwan. mr clement is the artistic pseudonym for my work as a sculptor and painter. My practice often draws inspiration from comics and popular culture however I like playing with paradox and often approach my narrative sculptures and paintings through the lens of the Old Masters. I enjoy finding small and interesting compositional elements in classical art but use a more direct way to express these elements, defined by my own minimalist aesthetic and humour. I have developed this approach as I feel it speaks to my main audience which has grown up with pop music, fast food, comics, TV and similar forms of visual entertainment. The process of discovering recurring themes and hidden meanings in classical artworks not only gives me a new and profound contact with those works of art, Old Masters and even the bygone eras, it also helps extend my imagination, and enriches the stories and personalities of my characters. I want my artwork to communicate complex emotions purely based on their form, without dependence on captions or titles. In my works, there are many allegorical characters in the form of cartoons – my main character LAPIN is a melancholic seeker, which is sometimes depicted through figurative dramatisation. This technique is enriched from my study of classical art, such as how a woman rests her hand across her chest or tilts her head in a Raphael portrait to depict a certain sensibility. I believe having a romantically playful layer in the narrative makes my work special. I like the idea of subverting the boundary between contemporary art and classical art, and creating paradoxes through giving the original work of art new contexts and meanings.

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