290 Views
31
View In My Room
Sculpture, Ceramic on Ceramic
Size: 11.8 W x 29.5 H x 11.8 D in
Ships in a Crate
290 Views
31
Artist Recognition
Featured in the Catalog
Artist featured in a collection
ABOUT THE ARTWORK
My work is profoundly feminine. Consciously. The material, the earth; the forms created with the potter's wheel, which belong to the realm of the domestic. I am also interested in symbolic forms such as the house or the egg. intimately linked to women. My sculptures are made as if I were passing beads of necklaces through an iron rod. Without thinking. Doing and undoing. That's why I have called these families "Earrings and necklaces". Because for me it's like a game. I create these sculptures from I create these sculptures from pieces previously made on the lathe and then I combine them at random. As an amusement. I don't pretend anything else.
DETAILS AND DIMENSIONS
Sculpture:
Ceramic on Ceramic
Original:
One-of-a-kind Artwork
Size:
11.8 W x 29.5 H x 11.8 D in
Frame:
Not Framed
Ready to Hang:
Not applicable
Packaging:
Ships in a Crate
SHIPPING AND RETURNS
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:
Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
Spain.
Customs:
Shipments from Spain may experience delays due to country's regulations for exporting valuable artworks.
Have additional questions?
Please visit our help section or contact us.
I was born in Barcelona in 1962 and I graduated in Fine Arts in Cuenca's University. I am currently working on the creation of Totems, made up of stacked pieces of stoneware, which come from the field of utilitarian ceramics. I use shapes with expressive deformations, fitting them into columns of variable composition. When I started working in this craft, I realised that everything revolved around the feminine. The earth, the circle and the shapes that emerge from this millenary technique produce utilitarian pieces that are the mark of ancient civilisations, apparently fragile, but which have survived thousands of years underground. The superimposition of ceramic pieces crossed by an iron rod was born as a symbol of women's work, care and generosity towards their loved ones, and at the same time alludes to the feminine role and its historical link with the domestic sphere. Now the work of the Totems has become a game for me, where I thread necklaces on a human scale.
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