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Eroded Blue 2 Sculpture

Ray Besserdin

Australia

Sculpture, Paper on Paper

Size: 13 W x 24.4 H x 13 D in

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About The Artwork

I do not labour my sketches, I leave them loose and when a shape I like appears, I immediately begin visualising it in 3D. It’s natural for me to find myself scrawling forms that somewhere in my life relate to memories of objects in nature. From my palette of the varieties of papers I store, I consider the textures and colours that might suit, and start tearing and moulding them into shape, roughly based on the preliminary sketch, and just watch what happens. “Eroded Blue” evolved from the memory of something geologic I might have found lying on a plain with wind swept eroded forms exposed to the elements, revealing beautiful textures and remnant shapes like something bearing a crystal coated inner face. Made from a variety of German mould-made and Asian recycled, handmade papers bearing a mixture of shredded inclusions. Framed in a limed Tasmanian Oak hardwood base fitted with a box of acrylic glazing. 2022 | Las Laguna Art Gallery | Light and Shade Online Exhibition | California | USA

Details & Dimensions

Sculpture:Paper on Paper

Original:One-of-a-kind Artwork

Size:13 W x 24.4 H x 13 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Internationally acclaimed Paper Sculpture Artist from Melbourne, Australia. Ray Besserdin, has established a 35-year career that is recognised internationally with extensive awards to date, including two gold from New York, and a “Gold Medal for Creativity” from Mondial Art Academia, France. Born to artist parents, Ray’s techniques are entirely self-taught. He sculptures artworks dimensionally much like bas-reliefs working with “a palette of sheet-formed papers” that offer a wide spectrum of colours, textures, solidity, and delicate translucency. The stocks are mostly mould-made or handmade cotton, mulberry (Kozo), hemp and flax stocks from Europe and Asia. Works range from miniature to over 6 by 3.8 metres and vary from abstract to ultra-realistic. Inspired by painters of the French Impressionist Period, Ray pioneered and developed a technique to achieve their kind of aesthetic expression using sculptured torn papers three-dimensionally, where they used paint two- dimensionally. This “Impressionist Sculptured Paper” is what he considers his signature style. Its focus is to capture emotion, life, and expression over realism using torn, raw pieces arranged into the likeness of the subject yet always revealing the character and nature of the papers from which the subjects are created. Nature is his favourite subject matter. Works hang in private and corporate collections in London, Monaco, Munich, Manhattan, Tokyo, New Zealand and throughout Australia. Ray is Australian Ambassador for Mondial Art Academia, France.

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