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Poland
Sculpture, Marble on Marble
Size: 6.3 W x 6.3 H x 0.8 D in
Ships in a Box
In the dictionary of hunting, skinning is a name for racking of skin with fur from wild animals of the family of lagomorphs. In my latest works I use the motives of trophies, including horns, paws or fur, referring metaphorically to many techniques used in hunting. I present them, however, in opposition to their natural delicacy, I glorify them, for example by framing them in gold. Animal fur here is a symbol of warmth, security and wealth that accompanied man since the dawn of history, being a protective layer. Through my works I redefine the existing functions, giving them a completely new and unprecedented importance, at the same time asking, what else can they hide.
Sculpture:Marble on Marble
Original:One-of-a-kind Artwork
Size:6.3 W x 6.3 H x 0.8 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Poland.
Customs:Shipments from Poland may experience delays due to country's regulations for exporting valuable artworks.
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Poland
Pawel Czekanski was born in 1989 in Lublin, Poland. He’s a 2014 graduate from the Eugeniusz Geppert Academy of Art and Design in Wrocław, from the Faculty of Painting and Sculpture, and he completed his sculpture diploma in the studio of prof. Janusz Kucharski. He’s been a participant in outdoor sessions, international art symposia and group exhibitions. He pursues sculpture and photography. He lives and works in Wrocław. My creative activity is mainly based on primary symbols and cultural references which are recognised by our consciousness. Building the vision of a world often rooted in the philosophy of fatalism, while balancing on the verge of perversity and irony, I am looking for new ways to talk about the absurdities of the modern world. It is very important for me to look for a dialectic between man and the surrounding reality, which is why I often reach for emotional and historical charges strongly embedded in culture.
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