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Guardianes Sculpture

Aramis Justiz


Sculpture, Steel on Steel

Size: 39.4 W x 78.7 H x 35.4 D in

Ships in a Crate

Originally listed for $13,000
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About The Artwork

"Guardianes" is a sculpture made of steel plate. In this sculpture the artist plays with the creation of flat volumes and spaces from a single openwork plate folded in different ways. The visual balance between the solid forms and the space that penetrates them creates an attractive whole. Guardianes is a totemic sculpture, a strong and mysterious presence at the same time, like that of a mystical sentinel standing out in the landscape. Its dimensions and silhouette make it ideal for outdoors or large interiors. Polychromed in forge black with weather-resistant paint, it can stand in open spaces for a long time with minimal maintenance.

Details & Dimensions

Sculpture:Steel on Steel

Original:One-of-a-kind Artwork

Size:39.4 W x 78.7 H x 35.4 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

STATEMENT I am an artist because I have always felt drawn to what humans are capable of expressing and creating with their hands, to the point that my own hands have been my main tool of expression throughout all of my artistic career. I work in visual arts in general, and even though throughout the years I have been more dedicated to sculpture, I also express myself though printmaking and photography, as well as any other means that inspires my sensitivity. To express myself, I have used all the means and materials that have been available to me at every stage of my life, and I think that each technique or material is a language that allows some ideas or emotions to be better expressed than others. Coming from a country where modern technologies and materials are in short supply, I have used traditional ones, combining them on many occasions to enrich the final result. In recent years, I have integrated digital techniques to my communicative resources in art. My creative process is diverse and has gradually changed over time, adjusting to the needs of each moment and idea. However, I generally prefer to approach the final work as directly as possible, because I think that the emotion of taming forms little by little until they express my ideas is something invaluable that is reflected in the work. Every moment is unique, each decision is permanent, every strike of the hammer, chisel or gouge is the result of an impulse or state of mind that is not repeated. It’s like taking a snapshot with a camera; you can never take the same photo twice, or carve a woodcut the same way twice. The enjoyment of the adventure of creating art, beyond the result itself, has largely defined the way I work. I sketch out only the bare bones in order to capture the idea. I prefer carving to modelling, ink to pencil, that which is direct and definitive. There is no escape from being an artist. The ideas that grow in my mind have to be expressed one way or another, and in turn everything around me generates ideas, concepts that scuffle to emerge into the real world in the form of art. That's why I have transitioned during my career from the figurative to the abstract and back to the figurative, from sculpture to photography, printmaking and digital art. I like that, in general, my works transmit tranquillity, harmony and spiritual peace, three emotions that are in short supply in the tumultuous world we live in, and which help us be better people.

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