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INTERVAL Loop IV - Spring Green Sculpture

Deanna Gabiga

Japan

Sculpture, Copper

Size: 17.8 W x 12.7 H x 14 D cm

Ships in a Box

This artwork is not for sale.

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1

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Just like the smallest of spring buds, the most delicately, bright yellow-green becomes a powerhouse of a flower or tree. The same is true for INTERVAL Loop IV, the smallest hand crocheted copper wire sculpture in this series, is also its brightest sculpture. Catching the sunlight just right, it’s f...

Year Created:

2022

Subject:
Method:

Sculpture, Copper

Rarity:

One-of-a-kind Artwork

Size:

17.8 W x 12.7 H x 14 D cm

Ready to Hang:

Yes

Mounting:

Wall-Mounted

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

Need more information?

Need more information?

I’m a metal and textile artist, who takes a single metal thread and creates meticulously stitched, hand-crocheted sculptures. Stitches are connections, building relationships and memories. Most recently from Hawai’i and currently living in Japan, I am fascinated with juxtapositions and transformations in our ever changing world. Manipulating copper wire with textile techniques, I create artworks that combine the hard, masculine properties of metals with soft, feminine textile techniques. Stitching these two elements together transforms each piece into a stronger, more cohesive sculpture. Whether it is bare copper, anodized copper with color, or a copper core wrapped in gold, I love how the simplicity of a single hook and copper wire threads become a voluminous, organic installation in my hands. Hand-crocheting is a meditative action for me. The smooth copper wire glides through my fingers and over my crochet hook. Like the ensō, its single meditative loop represents a single moment of open creation, each crochet stitch I make is created from a varying number of loops. Each completed loop is the copper thread telling the story in sculptural form. My work process is interdisciplinary. I often take photographs of my fiber and wire textile pieces to see the work from another vantage point. Photographing my work also allows me to play with creating two-dimensional artworks while enjoying the physicality of creating three-dimensional sculptural forms. The rich tropical waters around my home state of Hawai’i continue to inspire my favorite color gradations; the deep turquoise blues to sea foam greens to the silver sparkles of water splashing my toes in the sand. My works are tactile in the same way I enjoy the beach. The wire flows through my hands inspiring me to take the conflicting materials and techniques and build balanced artworks.

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