VIEW IN MY ROOM
Sculpture, Paint on Wood
Size: 20.9 W x 18.5 H x 2 D in
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After exploring the triangle penrose, I created another escape within the same spirit of impossible geometry and color theory based on RGB light reaction. As the sculpture is hang on a cable and can spin and create different interactions in the space and colors perception, I intend to create another brain teaser for the viewer and reduce the shape as intangible colors apparitions and disappearing on each angle. Impossible geometry and isometric structure previously mastered by Escher, Penrose, Bridget Riley always inspired me to create a new proposition to the white cube and make it disappear in the same moment. Impossible rectangle, made of reclaimed Mdf and wood, pigments and acrylic, 2019 the sculpture is suspended by a hook and a cable.(Included in the shipping)
Sculpture:Paint on Wood
Size:20.9 W x 18.5 H x 2 D in
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
French-Israeli artist, lives and works in Tel Aviv. Graduated from the fine arts of Paris (ENSBA),LVMH young artist award 2006, TAKASAGO prize 2008. She believes that order in chaos leads to an equilibrium of harmony. Jessica ’s corpus of art is an infinite voyage. Her calling never discovers a termination. Light is an exceptional commodity for her, the infinite evolution of colors, untangible moment of grace, and interactions with architecture. her process starts by translating this reflection and materialize them in shapes, lines and color harmonies She builds utopian architecture (mindscape) where she unveils impossible geometry. Her art-objects are keys to new dimensions, a new approach of colors. the structures display optical illusion that distract us from rational thinking and logic. Her art is inspired by former Bauhaus artists like Josef Albers. Jessica lives in Tel Aviv, where the traces of this movement are still to be found in the city architecture. Albers inspired Moritz to consider herself profound with the theory of color. Her inquiry led to an inspirational mission to flourish a very own attitude to this optical material. She believes in a sustainable way of producing her art. In consideration of climate change, she reclaims materials to use the existing. She gathers material on her trips and transforms them during a magical process into a new purpose. She tries to avoid a replacement out of senseless consumerism.
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