"la tierra esta la notre" Outdoor Sculpture
Sculpture, Other
19.7 W x 59.1 H x 9.8 D in
Ships in a Crate
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This artwork is not for sale.
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ABOUT THE ARTWORK
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Portland limestone and Welsh slate. I was beginning to be interested in human interfaces with landscape, this is a partial integration. The first piece failed so I decided a larger piece of slate would hold it well. I came across this 'finger' of slate while in a N. Wales quarry and re-fixed the fin...
Year Created:
2007
Subject:
Styles:
Method:
Method:
Sculpture, Other
Rarity:
One-of-a-kind Artwork
Size:
19.7 W x 59.1 H x 9.8 D in
Ready to Hang:
Not Applicable
Mounting:
Free-Standing
Frame:
Not applicable
Authenticity:
Certificate is Included
Packaging:
Ships in a Crate
Outdoor Safe:
Yes
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
Free returns within 14 days of delivery. Visit our help section for more information.
Handling:
Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
United Kingdom.
Customs:
Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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Need more information?
Philip S. Potter began his studio practice in 2001, teaching stone-carving to students with Autistic Spectrum Disorders, and has maintained an active practice ever since. He holds a degree in sculpture from Loughborough College of Art and Design (1995), a Masters of Arts with distinction from Birmingham City University, and a PgCert in Research from the Birmingham Institute of Art and Design (BIAD). He is an Associate of the Royal Birmingham Society of Artists (ARBSA).
With over twenty-five years of experience as a sculptor, teacher, and researcher, Philip now works nationwide from his Midlands base — exhibiting widely, accepting commissions, and delivering public workshops in stone sculpture. His work has been collected internationally, with large-scale pieces shipped to collectors in the United States.
His practice focuses on stone and form. He utilises stone for its resistance, durability and relationship to culture, landscape and body, drawing inspiration from natural and synthetic forms and finding consonances where form follows function — questioning our place in built and natural environments, and disrupting the binary between nature-as-self and nature-as-object.
Recognition:
Artist featured in a collection
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