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Mikhail Matyushin, Aleksei Kruchenykh & Kazimir Malevich Sculpture

Yurii Yermolenko

Ukraine

Sculpture, Plastic on Plastic

Size: 71.7 W x 96.5 H x 2 D in

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About The Artwork

Mikhail Matyushin, Aleksei Kruchenykh & Kazimir Malevich by Yury Ermolenko, ("Garden of Wandering Geniuses" project), 2018, (double-sided sculpture, dark side: "Сhildren on the lawn", 245x182 cm.) Mikhail Matyushin, Aleksei Kruchenykh & Kazimir Malevich - the authors of the famous Futuristic opera "Victory Over The Sun", which premiered in 1913 at the Luna Park in Saint Petersburg. The libretto written in zaum language was contributed by Aleksei Kruchonykh, the music was written by Mikhail Matyushin, and the stage designer was Kasimir Malevich. The performance was organized by the artistic group Soyuz Molodyozhi. Malevich's famous “Black Square” first appeared in the scenery for “Victory over the Sun” (1st action, 5th scene) as a plastic expression of the victory of active human creativity over the passive form of nature: black square instead of the solar circle. The opera was intended to underline parallels between literary text, musical score, and the art of painting, and featured a cast of such extravagant characters as Nero and Caligula in the Same Person, Traveller through All the Ages, Telephone Talker, The New Ones, etc.

Details & Dimensions

Sculpture:Plastic on Plastic

Original:One-of-a-kind Artwork

Size:71.7 W x 96.5 H x 2 D in

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Yurii Yermolenko – A Master of Fine Arts (MFA), author of special, large-scale, monumental picturesque projects, set designer, art director (musical video), music video director, photographer, Facevinyl & RapanStudio Founder and CEO. Born in 1973 Kiev (Ukraine) Lives and works in Kiev. "LIVE PAINTING" One will never forget works painted by artist Yurii Yermolenko. They carry a rave of color, flexibility of motifs, and a very special reality. - Yurii, how long have you been living for painting? Creation of a painting, the plot, the canvas – is this an outburst of emotions, or reflection of your world outlook? - I believe that I began to live for painting even before I was born. The birth of a painting on canvass most of all resembles a rite, when you are led by some creative ecstasy, intuition. It should be noted however that the period preceding the creation of a painting is very interesting. Here, an entirely different scheme works, involving a great deal of analysis, collection of information, anthropological studies, maybe, travelling. - Your paintings are distinguished for intense colors. Does this reflect your temper, or the desire to add colors to everyday routine? - In the first place, it reflects my temper of an artist and a painter. When you paint a picture, it should sound in colors, as a good musical composition, this is the main thing. - You have a unique technique of execution – the images are smudgy and distinct at a time. What stands behind it? - I like it when a painting represents a deep picturesque space, full of special light, as if in a dream, in which, images can breathe and vibrate. - Who, or what, inspires you? - My dear muse, my angel of inspiration protects and helps me. And as far as the projects are concerned, they may be triggered by a beautiful dream or a journey. - What really encourages you – criticism, or commendation? - I am encouraged not by criticism or commendation, but by angels of inspiration. Criticism or commendation take place post factum, as a response to a work of art; both are helpful; the worst thing is when there is no response at all. - Please, tell us about your creative plans. - I will continue experimenting with techniques. By the way, my another project was a pure experiment with "flower-dotted" fabric – this decorative pattern dictates the figurative space. MAGIC WOMAN magazine, Culture (section)

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