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Sculpture, Found Objects on Wood
Size: 8.3 W x 8.1 H x 3.1 D in
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in this work, i wanted to go deeper in color theory and also play with mathematic rules but keep it simple. the shape is based on phi number and then sides from the sequence. square of 21, sides of 5, 8 cm it implies that the "cube" will never have all sides touching the wall together. I always love to create illusion from the shape and also from the colors. therefore i have a back light (halo) coming from inside the work that creates a new dimension in the sculpture without seeing it. The triangle shape has always been important in my work, linked to architecture, geometry, sacred geometriy and symbol connected to it. we all strive for stability and wisdom. Naturally, i came back to it and thought that it would be a good time to manifest it and encourage this shape in the period of time being and creating. on the main surface, the square, i wanted to create a tessellation of triangle that would explore shades from purple to blue. how to create rhythm from within and spread it with equality, well now i know you can't. Allowing all colors to have the same surface ratio showed me that some colors saturated faster and some came out unnoticed. they all fit it, 100 triangles, covered all, many layers to be sure to create the best harmony on all axes (xyz and more) as most of my works, it can be hang on the wall all sides and will create a new halo and shadow different each time. i wish each viewer can create his:her/their own harmony, and accept this gradient as new ray of light inside. Prism, cube illusion from purple to blue 21X21 (sides 8-5-8-5) pigments and acrylic on reclaimed wood, hand jig saw Tel Aviv, Israel,June 2021 please consider recycle, reuse, and be more sustainable. thank you.
2021
Found Objects on Wood
One-of-a-kind Artwork
8.3 W x 8.1 H x 3.1 D in
Not Framed
Not applicable
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French-Israeli artist, lives and works in Tel Aviv, Israel. Graduated from the fine arts of Paris (ENSBA),LVMH young artist award 2006, TAKASAGO prize 2008. She believes that order in chaos leads to an equilibrium of harmony. Jessica ’s corpus of art is an infinite voyage. Her calling never discovers a termination. Light is an exceptional commodity for her, the infinite evolution of colors, untangible moment of grace, and interactions with architecture. her process starts by translating this reflection and materialize them in shapes, lines and color harmonies She builds utopian architecture (mindscape) where she unveils impossible geometry. Her art-objects are keys to new dimensions, a new approach of colors. the structures display optical illusion that distract us from rational thinking and logic. Her art is inspired by former Bauhaus artists like Josef Albers. Jessica lives in Tel Aviv, where the traces of this movement are still to be found in the city architecture. Albers inspired Moritz to consider herself profound with the theory of color. Her inquiry led to an inspirational mission to flourish a very own attitude to this optical material. She believes in a sustainable way of producing her art. In consideration of climate change, she reclaims materials to use the existing. She gathers material on her trips and transforms them during a magical process into a new purpose. She tries to avoid a replacement out of senseless consumerism.
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