VIEW IN MY ROOM
A development of a maquette I made a while. It was inspired by Janelle Monae's, 'Pynk'. As well as the sensuality of the images, I like the universality of the words, we're all just pink inside: Pink like the inside of your, baby Pink behind all of the doors, crazy Pink like the tongue that goes down, maybe Pink like the paradise found Pink when you're blushing inside, baby Pink is the truth you can't hide, maybe Pink like the folds of your brain, crazy Pink as we all go insane Pink like the lips around your, maybe Pink like the skin that's under, baby Pink where it's deepest inside, crazy Pink beyond forest and thighs Pink like the secrets you hide, maybe Pink like the lid of your eye, baby Pink is where all of it starts, crazy Pink like the halls of your heart Pink like the inside of your, baby (we're all just pink) Pink like the walls and the doors, maybe (deep inside, we're all just pink) Pink like your fingers in my, maybe Pink is the truth you can't hide Pink like your tongue going round, baby Pink like the sun going down, maybe Pink like the holes in your heart, baby Pink is my favorite part
Multi-paneled Sculpture:Plaster on Wood
Size:7.9 W x 7.9 H x 7.9 D in
Number of Pieces:2
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
I am a self-taught artist and sculptor based in London. Negative space and light play a big part in my practice. I have a studio in the garden and I often keep my work at the window and look across at it at different times of the day. I like to see how light and distance changes perspective. I bring this back with me when I’m back in the studio and it feels I’m bringing something new to the piece. It influences what I build or carve, what I add and what I leave. My work usually starts with a sketch. I often do quick finger sketches on my phone when I’m travelling around. I like the immediacy of having to create a sketch quickly as it reveals a shape and I don’t have time to obsess about detail. These can be quite commonplace in origin. From sketches of people snoozing on public transport, to a found object on the ground or the shape of the light on buildings. I rarely, however, replicate my sketches in solid form. The shapes and spaces I’ve sketched usually serve as a starting point. I enjoy exploring where the edges are and can be, how shapes intersect, how the form organically reveals itself and the mood of the piece.
Artist featured by Saatchi Art in a collection
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