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Queen (Star woman) Sculpture

Michele Rizzi

Italy

Sculpture, Metal on Stainless Steel

Size: 15.7 W x 79.5 H x 23.6 D in

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$14,000USD

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2014 Views
92

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About The Artwork

Queen (Star woman) it is part of the condensation / dispersion of matter cycle. This sculpture differs from the others in the cycle by the attention paid more to the wrapping dress of the sculpture than to the body of the figure. Both are treated lightly but while the dress is treated in its entirety the body is only sketched and partially defined. The sculpture is intended as an archaeological find from the future, has an archaic (almost a Romanesque icon) and futuristic value at the same time. On the dress or what remains of it there are symbols, drawings and textures. To make the sculpture lighter, the dress in contact with the floor is minimalist, it folds and becomes itself, a train of the dress and base of the sculpture. For the first time the head of Star woman, usually made without hair and adorned with a crown / sun / halo. I think it is one of the most refined and feminine of my sculptures

Details & Dimensions

Sculpture:Metal on Stainless Steel

Original:One-of-a-kind Artwork

Size:15.7 W x 79.5 H x 23.6 D in

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Michael Rizzi is an Italian artist born in Turin in 1971 (he currently lives near Turin Italy) best known for sculptures "Condensation and dispersion of matter." Sculptures made with steel, wire and iron mesh, which enhance the feeling of discontinuity of matter (solids and voids). If the sculpture of the past was essentially remove excess material, this kind of sculpture is to score the material at the points established and well-measured quantity. Regarding the forms, are prevalent human figures, organic and vegetal figures (real, abstract or fantasy). who suffer from the most different influences ranging from the ancient Minoan art and African (athletic and Thin figures) to the sculptures of the last century by A. Giacometti to the latest figures pseudo alien or humanity of the future, up to the recent "Manga "Japanese. The incompleteness and deficiencies are the added value of these jobs from which flows the perpetual fascination of the ruins and archaeological remains. The artist likes to think of the sculptures as in archaeological findings received from the distant futureand therefore at the same time have a double aesthetic value: archaic and futuristic . The heroism and courage of facing life or just living is a recurring theme in these works as well as the simple contemplation, inordinate and disproportionate individual (humanity) in the presence of the universe, time and space. He recently started a cycle of sculptures with the main material being transparent resin and vegetables and materials present in nature. Painting by Michele Rizzi follows a seemingly distinct from the sculptures but for neighboring intent and in some cases coinciding with the work in three dimensions. His painting came to degrees from a figurative painting (fantastic landscapes future) to a more abstract representation, up to an abstraction that is influenced by the painting of Gerhard Richter (physical and mechanical work on the color pulled with wooden frames) from which it deviates by rarefaction and for the insertion of figures that give more or less distinct size, depth and meaning abstraction transforming it into abstract landscape. Both (sculpture and painting by Michele Rizzi) pursue the future in the knowledge that the future is essential from the past. A sort of hole in space-time (black hole) that enables the past and the future to come in contact generating overlapping and hybridization and an infinity of shades and consequent emotions. www.facebook.

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