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Red Edifice Sculpture

Richard Arfsten

United States

Sculpture, Metal on Aluminium

Size: 22 W x 13 H x 12 D in

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$9,500

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About The Artwork

Red Edifice Here we have a big kind of ostentatious design. This might be a good design for a entrance to a industrial park. Each element could represent a company in the park. It would also make a interesting desk top sculpture. In the SYFI realm it looks like a space oasis or space colony. When I design my work I usually think of fabricating in sheet metal. Steel is my favorite choice because I usually want the option of color and changing the color periodically. There are times though that I like the idea of concrete. This is one of those times. Concrete can be bulky. Gray or tan can be a very masculine material especially if the design has dominate corners like this piece. I do not have much experience using concrete but am fascinated by sprayed concrete over steel mesh like you see in theme parks and zoos. Combining it with steel sheet interests me also. That way it is relatively light but still can look stout and the steel can be painted to get color in the design. If this sculpture interests you there is much more on this site. Go to the upper right top and enter "Arfsten sculpture" in the search box to see many styles and themes of my work. If you have an interest in my sculpture there is a lot of it on you tube that shows it in the round with some conversation to explain things. Search “You Tube Richard Arfsten sculpture” also Pinterest “Richard Arfsten sculpture”. I also have a lot more sculpture that I am trying to find the time to put here on Saatchi. Google Richard Arfsten sculpture and hit images on the top of the opening page.

Details & Dimensions

Sculpture:Metal on Aluminium

Original:One-of-a-kind Artwork

Size:22 W x 13 H x 12 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I have an ambitious approach to life ... and to art ... make something happen every day ... but most of all have fun doing it! A sculptor first, and now working in 2D, I do my best to do just that. Presented here are examples of some of my work. •• My sculpture runs the gamut from abstract, to figurative, to architectural. The materials and methods used are diverse ... from figures modeled in clay or wax, then cast in pewter or bronze ... to aluminum maquettes (produced by evaporative pattern casting) which serve as the 3D blueprints for the pieces that are enlarged and fabricated from sheet metal of all kinds. •• My 2D pieces range from abstract to figurative. You’ll find Originals done in oils or acrylic, one-of-a-kind monotypes, collages, mixed media paintings, and more ... I love working in all mediums. Some of my 2D work may be available as reproductions on this site. ••• MY FASCINATION WITH SCIENCE FICTION & MAKE BELIEVE - When I was in second grade, television was new and the hottest thing. The "Adventures of Flash Gordon" was my favorite program. There was only one kid in the neighborhood who had a TV. We, all the kids, gathered at his house for every episode. I was a huge fan of the characters. Flash was cool and my hero. Dale Arden was OK but Princess Aura was way cooler because she was naughty. Ming The Mercilous was very interesting. But Dr. Zarkov and his super duper telescope - that could see into time forwards and backwards, far and near - was the star of the show for me. The spaceship was really hoakey. You could see the wire that it was traveling on and the little puffs of smoke coming out of it were a joke, even for me. But the concept of the show was magical. Also at that time there were radio shows about space travel and aliens and monsters. I would listen to those shows with my grandfather as I sat on the floor next to the big wooden box radio so I could get the full impact of the sounds. •• These shows inspired me to draw spaceships, mostly "new and improved" versions of Flash's ship. I taped them all over my bedroom walls. At night I would travel with Flash. We would go to distant parts of the Universe and explore ancient ruins - like what I saw in National Geographic when I was not looking at the bare-breasted girls of exotic cultures. (I think artists and sculptors, are to a large part, voyeurs.) Those memories pop up in my art over and over. •• Faces also intrigue and inspire me.

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