view additional image 1
Sisters (Confidantes) is from a cycle called "Pairs," which I created in 2012, the year I got married. I began to think about how everything in the world and everything in life is somehow connected to and dependent on something else. I drew first on my experience as a twin (fraternal) and the brother of twins (identical, seven years younger) and on my new experiences as a husband. The sculptures in this cycle are pairs of stylized male and female figures, each symbolizing two characters or elements that are intrinsically linked.

This sculpture is also known as "Macedonia and Serbia," because of the sibling-like closeness I felt between my home country (Macedonia) and my new home (Serbia), which were one country during the period of Yugoslavia and share a strong cultural and historical connection.
Sisters (Confidantes) is from a cycle called "Pairs," which I created in 2012, the year I got married. I began to think about how everything in the world and everything in life is somehow connected to and dependent on something else. I drew first on my experience as a twin (fraternal) and the brother of twins (identical, seven years younger) and on my new experiences as a husband. The sculptures in this cycle are pairs of stylized male and female figures, each symbolizing two characters or elements that are intrinsically linked.

This sculpture is also known as "Macedonia and Serbia," because of the sibling-like closeness I felt between my home country (Macedonia) and my new home (Serbia), which were one country during the period of Yugoslavia and share a strong cultural and historical connection.
Sisters (Confidantes) is from a cycle called "Pairs," which I created in 2012, the year I got married. I began to think about how everything in the world and everything in life is somehow connected to and dependent on something else. I drew first on my experience as a twin (fraternal) and the brother of twins (identical, seven years younger) and on my new experiences as a husband. The sculptures in this cycle are pairs of stylized male and female figures, each symbolizing two characters or elements that are intrinsically linked.

This sculpture is also known as "Macedonia and Serbia," because of the sibling-like closeness I felt between my home country (Macedonia) and my new home (Serbia), which were one country during the period of Yugoslavia and share a strong cultural and historical connection.
Sisters (Confidantes) is from a cycle called "Pairs," which I created in 2012, the year I got married. I began to think about how everything in the world and everything in life is somehow connected to and dependent on something else. I drew first on my experience as a twin (fraternal) and the brother of twins (identical, seven years younger) and on my new experiences as a husband. The sculptures in this cycle are pairs of stylized male and female figures, each symbolizing two characters or elements that are intrinsically linked.

This sculpture is also known as "Macedonia and Serbia," because of the sibling-like closeness I felt between my home country (Macedonia) and my new home (Serbia), which were one country during the period of Yugoslavia and share a strong cultural and historical connection.
fullscreen

View Fullscreen

heart

Add to Favorites

Sisters (Confidantes)
View In My Room

VIEW IN MY ROOM

Sisters (Confidantes) Sculpture

Sinisha Noveski

Macedonia

Sculpture, Bronze on Bronze

Size: 11 W x 11.8 H x 5.5 D in

Ships in a Crate

info-circle

check Shipping included

check 7 day money-back guarantee

info-circle
star-fullstar-fullstar-fullstar-fullstar-full Trustpilot Score

191

Views

2

Favorites

Artist Recognition

link - Artist featured in a collection

Artist featured in a collection

About The Artwork

Sisters (Confidantes) is from a cycle called "Pairs," which I created in 2012, the year I got married. I began to think about how everything in the world and everything in life is somehow connected to and dependent on something else. I drew first on my experience as a twin (fraternal) and the brother of twins (identical, seven years younger) and on my new experiences as a husband. The sculptures in this cycle are pairs of stylized male and female figures, each symbolizing two characters or elements that are intrinsically linked. This sculpture is also known as "Macedonia and Serbia," because of the sibling-like closeness I felt between my home country (Macedonia) and my new home (Serbia), which were one country during the period of Yugoslavia and share a strong cultural and historical connection.

Details & Dimensions

Sculpture:Bronze on Bronze

Original:One-of-a-kind Artwork

Size:11 W x 11.8 H x 5.5 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

www.sinishanoveski.com / For me, beauty is not what you see when you look at a sculpture, but what you feel. There are no rules in art, and there is no strictly defined process for creating a sculpture. The artist is his own master and creates his own world as he wants and as he knows it. Generally, I start by sketching a drawing. Then, I sculpt that idea in clay. From the clay figure, I create a plaster cast, and from that cast I create a plaster sculpture. Then, depending on the resources I have, both physical and monetary, I use the plaster sculpture to create a final piece in a more permanent material, such as bronze or marble. As a student, I worked from live models and focused on realism. This is what the professors required of us, so that we would learn the basics of sculpture. It was only in our fourth year that we were given the task of creating a sculpture in our own style. This was incredibly difficult, not only for me, but for every student – to find something original and creative. My first sculptures were in marble and wood, like the sculptures of my professors, but I did not enjoy working with these materials. They felt very restrictive to me. Then, one day, as I was sitting in my work area eating burek, surrounded by scraps of metal, wood, and stone left over from the sculptures I had made, the idea came to me to clean up the space by taking all the scraps and turning them into sculptures. This was the start of my original work. I used these scraps to shape pieces inspired by Macedonian “Folklor” – traditional dress, dances, poems, and songs. I enjoyed the idea that these sculptures were somehow ecological, turning waste into something beautiful and lasting. After I finished University in 2002, I began to focus more on exploring the human form. My first solo exhibition, inspired by the work of some of the greatest sculptors and the beauty of the female form, consisted of female figures, which I sculpted in clay and then cast in polymarble. Over time, human figures have continued to provide me my greatest inspiration, but my work has become increasingly stylized, first with clear and clean forms that carry a distinct message, and now, in my latest work, with more expressive, surreal interpretations. My series “Pairs,” created in 2012, focused on the interconnectedness of things, such as “Wisdom and Curiosity” or “Father and Child.

Artist Recognition

Artist featured in a collection

Artist featured by Saatchi Art in a collection

Thousands Of Five-Star Reviews

We deliver world-class customer service to all of our art buyers.

globe

Global Selection

Explore an unparalleled artwork selection by artists from around the world.

Satisfaction Guaranteed

Our 7-day, money-back guarantee allows you to buy with confidence.

Support An Artist With Every Purchase

We pay our artists more on every sale than other galleries.

Need More Help?

Enjoy Complimentary Art Advisory Contact Customer Support