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The work was fostered on being around stressed people and me taking on there energy, this left me feeling bound or pent up, rigid and coarse. For me the contrasting strength of the pine I used to hold the screws shows a soft strength against stress with softness. It is the use of the screws placed too close creating unnecessary stress and tension, juxtaposing on the  soft wood letting it infuse itself with Yin to harmonize the Yang. Conceptual art was the primary style executed alongside fire brushing the wood exterior and balancing the light with dark, & ink to help hold it all tonaly centered.
The work was fostered on being around stressed people and me taking on there energy, this left me feeling bound or pent up, rigid and coarse. For me the contrasting strength of the pine I used to hold the screws shows a soft strength against stress with softness. It is the use of the screws placed too close creating unnecessary stress and tension, juxtaposing on the  soft wood letting it infuse itself with Yin to harmonize the Yang. Conceptual art was the primary style executed alongside fire brushing the wood exterior and balancing the light with dark, & ink to help hold it all tonaly centered.
The work was fostered on being around stressed people and me taking on there energy, this left me feeling bound or pent up, rigid and coarse. For me the contrasting strength of the pine I used to hold the screws shows a soft strength against stress with softness. It is the use of the screws placed too close creating unnecessary stress and tension, juxtaposing on the  soft wood letting it infuse itself with Yin to harmonize the Yang. Conceptual art was the primary style executed alongside fire brushing the wood exterior and balancing the light with dark, & ink to help hold it all tonaly centered.
The work was fostered on being around stressed people and me taking on there energy, this left me feeling bound or pent up, rigid and coarse. For me the contrasting strength of the pine I used to hold the screws shows a soft strength against stress with softness. It is the use of the screws placed too close creating unnecessary stress and tension, juxtaposing on the  soft wood letting it infuse itself with Yin to harmonize the Yang. Conceptual art was the primary style executed alongside fire brushing the wood exterior and balancing the light with dark, & ink to help hold it all tonaly centered.
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Stress
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Stress Sculpture

Joseph Cunningham

Canada

Sculpture, Wood on Wood

Size: 26 W x 30 H x 4 D in

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About The Artwork

The work was fostered on being around stressed people and me taking on there energy, this left me feeling bound or pent up, rigid and coarse. For me the contrasting strength of the pine I used to hold the screws shows a soft strength against stress with softness. It is the use of the screws placed too close creating unnecessary stress and tension, juxtaposing on the soft wood letting it infuse itself with Yin to harmonize the Yang. Conceptual art was the primary style executed alongside fire brushing the wood exterior and balancing the light with dark, & ink to help hold it all tonaly centered.

Details & Dimensions

Sculpture:Wood on Wood

Original:One-of-a-kind Artwork

Size:26 W x 30 H x 4 D in

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I make art because beauty calls me to my higher being. I specialise in dexterous manipulation of the external world, through paint on canvas among other things. My work relies heavily on my constant pursuit of balance. In the pursuit of balance, I am often found analyzing the negative space of the work. To maintain harmony, I must periodically retreat from painting all together and constantly re-discover my painting in the name of balance. In finding balance, I try to seek joy and beauty. I want art to be fun and exciting, changing with us as we grow. My art is about you and your interpretation of the world. My art is fun and vibrant on the surface while carrying symbolic gestures buried in our collective human psyche.

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