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Sculpture, Resin on Plastic
Size: 11.8 W x 23.6 H x 7.9 D in
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A bear with claws the size of Esben Horn's sculptural work, The Claw, most likely never existed. But it sure looks like it did. With the wizardry of his super realistic aesthetics, Horn has created an object so convincing that even a natural scientist might be fooled. However, The Claw is not a work about what predatory animals lived on Earth in prehistoric times. It is instead a work that speculates what kinds of such animals could have been inherent to this planet. Moreover, through implicit reference to bear mythology and bear worship, it invites the viewer to imagine not only the bear itself but the world it lived in, possibly including humans.
2021
Resin on Plastic
One-of-a-kind Artwork
11.8 W x 23.6 H x 7.9 D in
Not Framed
No
Ships in a Crate
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
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For over 25 years, artist Esben Horn has been running the exclusive model-making company 10 Tons (), which has delivered high-end and award-winning zoological and paleontological models to museums worldwide. In 2023, he took those skills to the next level by introducing his artistic project, Studio MEGATON. Studio MEGATON draws on the extensive resources of skills and experience. Still, it applies them to a more playful work process that results in sculptural objects combining the beauty and wonder of nature and art. Made from layer upon layer of sculpting and finishing, these objects showcase the highest quality of model-making you will find anywhere and reflect an intriguing tension between biological reality and aesthetic imagination. The objects express Horn's lifelong fascination with nature's many forms, materials and textures at the same time as they connect with a contemporary rediscovery of nature in art and culture. As such, the objects embody a love for nature in the context of the Anthropocene, where human civilisation's processes threaten aspects of nature with extinction. Every object is handmade and unique.
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