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30
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Sculpture, Steel on Steel
Size: 35 W x 96 H x 33 D in
Ships in a Crate
99 Views
30
Artist featured in a collection
This contemporary outdoor sculpture celebrates the magnificence of women and of their limitless reach. It’s part of the series “I Can Soar”. All the pieces in the series are named after bad-ass goddesses. Sol was the Norse goddess of the Sun. The work is constructed of slatted “self-weathering” steel. It is both figurative and abstract. The Corten steel will form a natural orange/brown patina and then stop rusting protecting the steel from further rust for a lifetime. In the video you see pieces that have reached about half of their rusted patina. It will take about 9 months outdoors to reach the full patina. The work started as a 24” tall hand-sculpted wax model. The model was digitized and then manipulated digitally. The work is minimal – part of the challenge was to determine the minimum number of pieces needed to achieve the feel of the model and to retain structural integrity.
Steel on Steel
One-of-a-kind Artwork
35 W x 96 H x 33 D in
Not applicable
Not applicable
Ships in a Crate
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
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I sculpt movement. My challenge: How do I change static, unyielding materials into the essence of motion. My passion is the motion — not the material. And thus, I explore different materials, at different scales, and with different levels of abstraction to explore how to enhance a sense of rhythm and motion in a static sculpture. The female dancer is the ideal subject because we recognize and relate to the forms — even with differing levels of abstraction. In exploring different materials, I use the inherent quality of the material — such as the transparency of glass or the grain of the wood — to enhance the rhythm of the motion. For example, in my most recent series, the rhythmic repetition of hard planes of steel provides a dramatic type of rhythm that enhances the sense of motion. While the direction of the steel planes can emphasize the musculature of the body. I’ve had the privilege and pleasure of following my passions in life. It’s not that I have money – I’m neither rich nor poor. But I had an upbringing that taught me that happiness is more important than money. And that with grit and confidence, I could pursue whatever I wanted. I’ve supported myself with my passions for 50 years. Equally adept in both right- and left-brain activities, I’ve followed passions in both spheres. As a younger adult and mid-level professional, I pursued more analytic career such as software development and corporate management and relegated my artistic side to avocations. As I became more confident in myself, I found ways to integrate both the analytic and artistic into my later careers – first as the owner of a home design/remodeling firm and now as a full-time sculptor. My sculptural work is heavy in digital design and fabrication. While these career choices might seem disparate, the common thread is my nature as an agent of change. I can’t see something without wanting to improve it – whether it’s an organization, a process or a thing. When I was younger, I welcomed the challenge of improving the performance of organizations. As I got a bit older, I welcomed the challenge of improving the lives of homeowners. Now, I’m pursuing a more selfish challenge to explore my life-long attraction to the power of the body in motion. And my “change agency” shows itself by continuing to challenge myself to find better ways of depicting motion in static materials.
Artist featured by Saatchi Art in a collection
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