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Tinos is the island of marble and pigeons. During the summer, while I was working in marble massive production, I made traditional marbled hammers  and pigeons for the tourist period. The whole procedure was quite enjoyable at the beginning; I was learning how to create forms and shapes, but, as I soon realised how repetitive massive production is, I turned out to be angry and loathe pigeons...

So I decided to become a bit more creative. When I went back home, I asked myself: what if I transformed them into one another? 

The created dynamics were immediately visible. The force of a hammer on a pigeon's body instantly changed the initial brutal force into a peaceful one. 

Both items are made of white Dionysian marble. 

Marble glue is also applied on specific parts.

Dimensions : 
Pigeon : 23,5x15x8,5cm
Hammer : 22x3,5x2,5cm
Tinos is the island of marble and pigeons. During the summer, while I was working in marble massive production, I made traditional marbled hammers  and pigeons for the tourist period. The whole procedure was quite enjoyable at the beginning; I was learning how to create forms and shapes, but, as I soon realised how repetitive massive production is, I turned out to be angry and loathe pigeons...

So I decided to become a bit more creative. When I went back home, I asked myself: what if I transformed them into one another? 

The created dynamics were immediately visible. The force of a hammer on a pigeon's body instantly changed the initial brutal force into a peaceful one. 

Both items are made of white Dionysian marble. 

Marble glue is also applied on specific parts.

Dimensions : 
Pigeon : 23,5x15x8,5cm
Hammer : 22x3,5x2,5cm

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The hammer and the pigeon Sculpture

Giorgos Papasotiriou

Greece

Sculpture, Marble on Marble

Size: 9.3 W x 5.9 H x 3.3 D in

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$665

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ABOUT THE ARTWORK

Tinos is the island of marble and pigeons. During the summer, while I was working in marble massive production, I made traditional marbled hammers and pigeons for the tourist period. The whole procedure was quite enjoyable at the beginning; I was learning how to create forms and shapes, but, as I soon realised how repetitive massive production is, I turned out to be angry and loathe pigeons... So I decided to become a bit more creative. When I went back home, I asked myself: what if I transformed them into one another? The created dynamics were immediately visible. The force of a hammer on a pigeon's body instantly changed the initial brutal force into a peaceful one. Both items are made of white Dionysian marble. Marble glue is also applied on specific parts. Dimensions : Pigeon : 23,5x15x8,5cm Hammer : 22x3,5x2,5cm

DETAILS AND DIMENSIONS
Sculpture:

Marble on Marble

Original:

One-of-a-kind Artwork

Size:

9.3 W x 5.9 H x 3.3 D in

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Delivery Time:

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I am inspired by the beauty and mystery of the natural world. My sculptures celebrate form and texture and hover in the relationship between light, shadow and atmosphere. I am concerned with the search for inner truth and the purpose of existence. The journey we have taken, a journey inward to retrieve memories that exist hidden within us, poses questions both to me as I create and to the viewer. Who he is, what he is, where he comes from, what he carries, what he wants to tell us now, what he is doing in this world, what his purpose is, where he lived, how he breathed, how he moved. These are the questions that arise every time I hold a new piece of stone or a new idea in my hands. In many of my sculptures I bring the material to such a stage that the viewer often questions the material himself. I enjoy and always encourage viewers to touch my sculptures, because I believe that through touch they can feel the sculpture as a new being, since touch is a sense of contact with other bodies. I am constantly experimenting with different marbles and techniques to express new life forms and personalities, creating an eclectic body of work. I complete the intuitive process of form making with great attention to harmony and detail. I want the end result to look natural and not stylized. Most of my sculptures are textured, a skin, in an attempt to reflect the diversity in both human existence and a general level of variation. Light is part of the sculpture and an integral part of the creative process, not only because marble is the material of light, but mainly because it is through it that the character of each work emerges best.

Artist Recognition
Artist featured in a collection

Artist featured by Saatchi Art in a collection

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