Sculpture, Found Objects on Wood
Size: 20.5 W x 10.2 H x 1.2 D in
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The moon between us Acrylic and pigments on reclaimed wood, hand jigsaw, mindfully made. As a light artist, I am also concerned by the physical relation of it, and environmental observations. I observe changings, influences, and always look at the moon as a challenge and utopia of exploration of human achievements and dreams. Grass is greener on the other side, sometimes. At the same time, Being away from my family, living in different time zone, I always look at the moon and think that it link us by sight, and in a way make us closer. On a spiritual side, moon is leading many calendars and opportunities that can bring you higher connections and relief. I expanded my colors according to moon light and difference between studio light or different day lights and introduced earth tones, and colored grey to create this connection. I hope it can bring people closer or forget restrictions and boundaries that we are facing now.
Sculpture:Found Objects on Wood
Size:20.5 W x 10.2 H x 1.2 D in
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
French-Israeli artist, lives and works in Tel Aviv. Graduated from the fine arts of Paris (ENSBA),LVMH young artist award 2006, TAKASAGO prize 2008. She believes that order in chaos leads to an equilibrium of harmony. Moritz’s corpus of art is an infinite voyage. Her calling never discovers a termination. On a diurnal degree, Moritz is compelled to confront herself personally with the transcendence of light. Light is an exceptional commodity for her, it's something which she adores and desires but also causes agony to her. Enduring the torment she creates with her art objects a utopian architecture (mindscape) where she unveils an unfeasible geometry. Her objects are portals to a dissimilar sphere where the mind absconded and is confronted with a clear result of a never materializing entity of art. The inevitable consequence is a painted geometry that provides balance and an optical euphony in a very intelligible manner. Her art is inspired by former Bauhaus artists like Josef Albers. Moritz lives in Tel Aviv, where the traces of this movement are still to be found in the city architecture. Albers inspired Moritz to consider herself profound with the theory of color. Her inquiry led to an inspirational mission to flourish a very own attitude to this optical material. Moritz believes in a sustainable way of producing her art. In consideration of climate change, she reclaims materials to use the existing. She gathers material on her trips and transforms them during a magical process into a new purpose. She tries to avoid a replacement out of senseless consumerism. co-written with J. P. Wolters Selected Artist part of New Voices, Saatchi ART 2021 special Edition Catalog Meet 100 Artists Who Are Changing the Conversation.
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