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Sculpture, Found Objects on Wood
Size: 15.4 W x 15.6 H x 2.1 D in
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i wanted to think this sculpture as illusion of a collage. cut, move and paste shapes as if it was a simple gesture, stay minimal as in my sketchbook. In my process, I create shapes that tends to escape or go out of frame. Many times, i was enjoying the process so much, that I had to find a new way to develop new shapes, so I started to use collage and paper weaving to create unexpected shapes and have a faster idea. Overthinking can shut down a great concept. I had a pile of used paper, some used for past stencils, some found in the street, some from failed paintings. Then I started a notebook, square format, based on a Grid, keeping my reductive choices in a notebook that i can keep in my bag, always. Slowly it became an alphabet, repertoire of abstract typography, mixing textures, accidents, and out cuts. It gave me one more reason to stay in the process, and re-create these fast collage in assemblage, 3D translation of them, and create this illusion in Sculpture. Extending edges to A new path, and again developing colors interactions and surfaces. i hope the viewer can perceive the process and create their own mindscape and extend it to their inner dialogue. Anyway sunrise and sunset minimal collage what fits in a square fits anywere wall sculpture, 13 pieces acrylic and pigments on reclaimed wood hand jigsawed
Sculpture:Found Objects on Wood
Size:15.4 W x 15.6 H x 2.1 D in
Packaging:Ships in a Box
French-Israeli artist, lives and works in Tel Aviv. Graduated from the fine arts of Paris (ENSBA),LVMH young artist award 2006, TAKASAGO prize 2008. She believes that order in chaos leads to an equilibrium of harmony. Moritz’s corpus of art is an infinite voyage. Her calling never discovers a termination. On a diurnal degree, Moritz is compelled to confront herself personally with the transcendence of light. Light is an exceptional commodity for her, it's something which she adores and desires but also causes agony to her. Enduring the torment she creates with her art objects a utopian architecture (mindscape) where she unveils an unfeasible geometry. Her objects are portals to a dissimilar sphere where the mind absconded and is confronted with a clear result of a never materializing entity of art. The inevitable consequence is a painted geometry that provides balance and an optical euphony in a very intelligible manner. Her art is inspired by former Bauhaus artists like Josef Albers. Moritz lives in Tel Aviv, where the traces of this movement are still to be found in the city architecture. Albers inspired Moritz to consider herself profound with the theory of color. Her inquiry led to an inspirational mission to flourish a very own attitude to this optical material. Moritz believes in a sustainable way of producing her art. In consideration of climate change, she reclaims materials to use the existing. She gathers material on her trips and transforms them during a magical process into a new purpose. She tries to avoid a replacement out of senseless consumerism. co-written with J. P. Wolters Selected Artist part of New Voices, Saatchi ART 2021 special Edition Catalog Meet 100 Artists Who Are Changing the Conversation.
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