Allien Print

Until I was 25, I didn't know that I was able to paint. Our relationship with painting, which is a long-term one, began because of some repeated dreams in which I starred as a painter. As for my artistic creation, it consists of sections of works of art, each of which also represents a period of my creation. The difference between the periods is reflected in the style, features, and materials I use. So, in my collection one can find cardboard boxes, sometimes fabric collages, drip on canvas, and baked colors. As a painter, I love, if not live for, experimentation and the discovery of new ways of expression. For the most part, I work by defining the random, often forming human shapes as they arise, giving them substance without restricting them through strict boundaries. In trying to identify me, which I usually avoid, I would characterize myself as a productive creator, for whom art is a vital factor. Painting as a need helps me to capture my mental trace every day. Through it, I decompress the converging flagstones of life and death and so through my artwork I live. My main need as a creator continues to be the acceptance of myself, the reconciliation with my mortality, and the reminder of the greatness of my indestructible, eternal energy. -paint to exist and vice versa- An ideal and rare moment for me is the one where the piece of art I create is to my absolute liking. Then I pass into the zone of immortality, and this cannot be covered for any price. In love with my art, there has not been a single day until today, in my 43 years that I have not "grabbed the brush" in my hands. My goal is to communicate my work to the public and to be able to introduce myself without a mask, to interact, to be recognized, and to continue to evolve.