Convergent or Divergent? Print

My artistic practice is a listening to the invisible. I investigate the interweaving of light and shadow, time and form, presence and silence. Painting, for me, is not mere representation but a field of subtle energy—a space where matter organizes itself to reveal what cannot be seen. I work in layers: overlays of color, gesture, and pause. Each surface is built slowly, as if it were breathing. I am drawn to what vibrates in the interval, in restraint, in the silent geometry that points toward parallel worlds, inner times, and their own rhythms. I seek an art of reconnection—with the body, the cosmos, and the present moment. An invitation to listen to time not as it runs, but as it expands. My works are born in silence, among transparent and deliberate layers. I value minimalism as an open field of perception, where every form carries a kind of listening. My palette is minimal yet deeply sensorial, aiming for the synthesis between matter, the universe, and the subtle vibration of forms. My process is attentive to gesture, matter, and pause—through them I build surfaces that suggest coexisting realities. There is an inner time that governs the gesture and expands the space between lines and forms. Here, time is not chronological—it is breathed. Perhaps, in this suspended space, the viewer may also recognize themselves.