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Original Abstract People Painting by Antonino La Vela
Original Abstract People Painting by Antonino La Vela
small-01
Original Abstract People Painting by Antonino La Vela
small-02
Original Abstract People Painting by Antonino La Vela
Original Abstract People Painting by Antonino La Vela
Original Abstract People Painting by Antonino La Vela
Original Abstract People Painting by Antonino La Vela
Original Abstract People Painting by Antonino La Vela

6

"Cybersex - Many Possibilities" Fine Art Print

Antonino La Vela, Italy

$40

Material
  • 100% cotton, acid-free, museum quality paper
  • Printed with archival pigmented inks
  • Has a 2"-3" white border with matte finish
Fine Art Paper
Size
10 x 10 in ($40)
Frame
No Frame

Archival-grade Materials

Fade-resistant Inks

Professionally Printed

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Cybersex - Many Possibilities has been part of the Biennale of Chianciano 2011

Year Created:

2010

Subject:
Medium:

Print, Giclee on Fine Art Paper

Rarity:

Open Edition

Size:

10 W x 10 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships rolled in a tube. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

Antonino La Vela

About the Artist

Antonino La Vela

Italy

ARTIST | WRITER | INDEPENDENT RESEARCHER

I am an Italian artist, writer, and independent researcher whose work explores the relationship between visibility and invisibility across personal, social, political, and ecological landscapes.

Much of contemporary art tends to define artistic identity through recognizable visual languages, recurring aesthetics, or biographical categories. While these approaches can be valuable, I am interested in a different path. I do not see artistic identity as something that should be confined within a stable visual formula or a fixed set of subjects. For me, such expectations risk limiting the very freedom that art makes possible.

Rather than building a practice around a recognizable aesthetic signature, I work from a conceptual framework centered on visibility and invisibility. This perspective allows me to move across different media, subjects, and territories while remaining rooted in the same investigation. Whether I am working with painting, writing, dialogue, or site-specific interventions, I am asking variations of the same question: what remains unseen, and why?

Working through painting, site-specific projects, and writing, I investigate the hidden structures that shape what societies choose to see and what they allow to disappear. My practice is driven by an interest in memory, environmental change, identity, collective trauma, and the fragile connections between people, places, and systems.

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