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Original Expressionism Architecture Painting by Scott Erwert
Original Expressionism Architecture Painting by Scott Erwert
small-01
Original Expressionism Architecture Painting by Scott Erwert
small-02
Original Expressionism Architecture Painting by Scott Erwert
Original Expressionism Architecture Painting by Scott Erwert
Original Expressionism Architecture Painting by Scott Erwert
Original Expressionism Architecture Painting by Scott Erwert
Original Expressionism Architecture Painting by Scott Erwert

2

"Fat City Cafe" Fine Art Print

Scott Erwert, United States

$216

Material

  • Archival acid-free canvas
  • Laminated with protective lustre surface
  • Hand-stretched over 100% renewable solid pine stretcher bars, 1.25" thick
Canvas

Size

16 x 20 in ($216)
Select a Canvas Wrap
White Canvas

Frame

No Frame

Archival-grade Materials

Fade-resistant Inks

Professionally Printed

Artist Recognition

ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


A plein air painting of a city street in Multnomah Village, Portland.

Year Created:

2016

Subject:

Medium:

Print, Giclee on Canvas

Rarity:

Open Edition

Size:

16 W x 20 H x 1.25 D in

Ready to Hang:

Yes

Frame:

Not Framed

Canvas Wrap:

White Canvas

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Contact us.

Need more information?

Contact us.
Scott Erwert

About the Artist

Scott Erwert

United States

My work is a mix of observation, pop culture, historical references, free association and being open to where mistakes may lead. It's like the feeling of being inside of a dream where you are drawn into the emotion of a non linear narrative and have to find your own meaning. There’s a connection there or something that draws you in. It’s my job to create that connection through paint and the 2D surface. Sometimes it reveals itself quickly and organically; most times it’s a struggle which takes time and hard work to pull out the connection and uncover the soul of it. I want to share with the viewer, the progress of this struggle in my paintings.

My process usually involves sketching to capture the physical place or moment, and bringing those studies into the studio to edit, simplify and sometimes deconstruct. I utilize sketchbooks and mediums which can be used to capture thoughts or moments quickly: graphite, colored pencils, watercolor and gouache. Paintings based on these studies generally involve the use of acrylic, oil, and sometimes collage. Final paintings are executed on canvas or custom wood panels. I also build custom wood framing for many of the pieces which adds to the personalized story I‘m telling.

Painting for me is a necessity. It is my ultimate means of expression and communication. My goal in painting is much like that of a songwriter: Creating a riff or section of music which pulls people in, makes them dance, think, or look at their own life in a new way. I’m not referring to radio hits that get played every hour on the hour, making you despise them over time, but pieces that invite and reward multiple viewings, always presenting new and interesting perspectives and discoveries. It doesn’t have to be explainable — instead it should contain a depth and intricacy which invites a visual dialogue. I am intrigued by the balance between representation versus abstraction. There is something so human and beautiful about playing between these two worlds — the real and the unknown.

Recognition:

  • Artist featured in a collection

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