

285 Views
19
View In My Room
Canvas
12 x 16 in ($95)
White Canvas
No Frame
285 Views
19
Artist featured in a collection
Overpainted magazine page of a "Ford" advertising page. Each picture contains an almost infinite possibility of variations. The overpainting is done on the original magazine page. So I take an ecological attitude in my work. Recyling Art.
2019
Print, Giclee on Canvas
Open Edition
12 W x 16 H x 1.25 D in
Yes
Not Framed
White Canvas
Ships in a Box
Calculated at checkout.
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
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Ships in a box. Art prints are packaged and shipped by our printing partner.
Printing facility in California.
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All 2-dimensional media that I create have one theme in common: layers or overlays, be it color, line or montage. I use all the traditional art genres: drawing, painting, sculpture and installation. To view the different genres separately use the link to "Collections". The biggest part of my pictures shown here are the "Overpaintings". It is a method of painting over print media, with which I can unite the entire history of the pictures.. Historical or contemporary, all images combine the complexity and heterogeneity of life. Cultural history or images of everyday life are processed by me and fit together in the iginal pages of the print medium. Juergen Wolfstaedter from the Wolfstaedter Gallery in Frankfurt am Main, said about my Overpaintings: "The focus here is not on the recognizability of the motif, but on the analysis of the composition: the distribution of light and dark, the rhythm of the surfaces, as well as the color weightings that give the historical paintings their inner dynamism. Through overpainting, the focus shifts from the narrative pictorial space to an abstract reading, translating the painterly thinking of the Old Masters into a contemporary form. Diez’s works thus operate in the field of tension between art-historical reference and autonomous color composition. Diez's works thus operate in the tension between art-historical reference and autonomous color composition. They are to be understood less as quotations than as a reflective engagement with painterly orders that have remained influential over centuries."
Artist featured by Saatchi Art in a collection
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