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Front Range Print

Frank Trocino

United States

Open Edition Prints Available:
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Fine Art Paper

Fine Art Paper

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10 x 8 in ($81)

10 x 8 in ($81)

15 x 12 in ($118)

25 x 20 in ($202)

30 x 24 in ($303)

40 x 32 in ($336)

48 x 38 in ($400)

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Black ($80)

White ($80)

Natural Wood ($80)

Metal: Light Pewter ($150)

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$161

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Artist Recognition
link - Showed at the The Other Art Fair

Showed at the The Other Art Fair

link - Artist featured in a collection

Artist featured in a collection

ABOUT THE ARTWORK

"Front Range” ...We have always been drawn to the mountains. Whether chasing angels or fleeing demons. But they have a way of dealing with overconfidence. In a thousand years, these buildings won't exist, and I'm willing to bet the mountains will.... I decided to do this painting based on my time in Boulder CO in the 70's. I was enamored by the front range which came down to the edge of town. Frank Trocino is an award winning American born artist. His themes focus on couples and buildings. My paintings of buildings are inspired by architecture and the built environment. I maintain that buildings have souls and personalities. They evolve from the hand of the designer, and the inhabitants that have been sheltered by the walls and ceilings over the life of the building. My originals are sold through galleries only, however I am offering this original, one-of-a-kind hand embellished print. I use acrylic paint and alcohol ink to highlight and embellish the print. The all cotton archival paper is laminated to a cradled wood panel which is wired and ready to hang.

DETAILS AND DIMENSIONS
Print:

Giclee on Fine Art Paper

Size:

10 W x 8 H x 0.1 D in

Size with Frame:

15.25 W x 13.25 H x 1.2 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

How does a retired architect with Grapheme-Color Synesthesia experience the world? Structured chaos and a color palette that evolves without conscious direction. In a way my architectural background and Synesthesia have given me both roots and wings. Currently, My subject matter contains two main bodies of work, couples and buildings. I find people very interesting and the most interesting aspect is the dynamics and interaction of two people, so I find myself depicting couples as a broad subject matter. My couples work is really about epic fantasy: the layering and depth of emotion and tension. Supply me with true and complex dramas for painting and I make it untrue and then add an accent of truth. My paintings of buildings are inspired by architecture and the built environment. As a former Architect, I think about buildings all the time and usually include a partial plan placed in the painting. I define my style as, “Color Field Abstract Realism”. My work is organized in blocks of color that are defined by edges or a change of light/dark values. I have a basic pallet of 33 colors but I allow myself to add to that as desired. I really am not sure how/if my synesthesia is a factor in my color selection. It remains a mystery. What is real is often what is remembered to be or the essence of the painting, not the painting itself. So, I use “Abstract Realism” in my descriptive label, but it’s not the realism in a photographic sense. The three historical artists who have had the most influence on my style and my development as an artist are Stuart Davis, Jean Metzinger and Wassily Kandinsky. Davis was an early American modernist who was doing Pop Art style Cubism back in the 1920’s. He is not well known but his work was ahead of his time. I love cubism. I love it because, in its infancy, the Picassos, the Barque's and the Gris’s met with incredible resistance. They were criticized, attacked and laughed at by critics, galleries, curators and other artists. This didn’t stop them. They persevered because they were creating from their hearts and minds. My favorite cubist is Jean Metzinger. Kandinsky was a Russian painter and is generally credited as one of the pioneers of abstraction. He worked with geometric forms, lines and colors. Before becoming an artist, he was a successful lawyer and teacher. And if that was not enough, according to contemporaries, he was a most agreeable human being - charismatic, kind, and well-liked.

Artist Recognition
Showed at the The Other Art Fair

Handpicked to show at The Other Art Fair presented by Saatchi Art in Dallas, Dallas, Dallas

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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