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View In My Room

"Green Grid Sunrise" Print

Marc Vischer

United States

Open Edition Prints Available:
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Fine Art Paper

Fine Art Paper

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12 x 9 in ($40)

12 x 9 in ($40)

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Black ($80)

White ($80)

Natural Wood ($80)

Metal: Light Pewter ($150)

Metal: Dark Pewter ($150)

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$40

112 Views

1

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

I start with a heavy, gestural texture and build layers of color glaze on top. The tension between the gestural feel combined with the measured quality of the green grid gives the painting energy. I enjoy suggesting a distant horizon line while creating a visual curtain with the grid pattern. Mater...

Year Created:

2021

Subject:
Medium:

Print, Giclee on Fine Art Paper

Rarity:

Open Edition

Size:

12 W x 9 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships rolled in a tube. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

Born, Montana, USA, also lived in Seattle and the San Francisco Bay Area, now residing on the high prairie of Southern Montana surrounded by wide, open spaces. Over the years I have enjoyed using a variety of mediums in a variety of ways, from photography to painting, from realistic to abstraction. From small, intimate objects to larger than life works on unstretched canvas. I enjoy taking a big reality and condensing it down to a few small tokens or blowing up the small and mundane so as to be unavoidable to the viewer. My early photographs were manipulated to look like abstract paintings and some of the realistic paintings I’ve done over the years look like they are photographs. Recently, I’ve turned to painting loosely geometric abstractions. Sometimes a highly textured surface is built up layer after layer and the final layers are essentially controlled accidents coliding with the underlying shapes/textures. There is also a play between the observed surface in contrast to what appears to be a distance, a field, a void that gives the whole painting a three dimensional feel. If I had to briefly sum up my approach to art making, it would be to view it as a self imposed puzzle that is a challenge and eventually a joy to solve.

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