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Adrianna Wojcik Muffat Jeandet
France
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Canvas
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12 x 16 in ($150)
Select a Canvas Wrap
Black Canvas
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White ($135)
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Artist featured in a collection
Painting, acrylic on wood, Inspiration from mythology Source Hippocrene In Greek mythology, Hippocrene was the name of a spring on Mt. Helicon. It was sacred to the Muses and was formed by the hooves of Pegasus. La montagne était noire. Noire la neige. Noires les roches. Noire l’herbe. Noire la tristesse de la Terre. Noire la colère de certains hommes. Noirs les jours, Aussi noirs que les nuits. Nuit de l’âme en plein jour. Au cœur de l’obscur pourtant, Au plus intime de ses flancs, Bouillonnait un espoir Qui attendait son heure blanche. Car la Terre n’avait pas dit son dernier mot. La Terre n’avait pas rendu son dernier sourire. Il éclata un jour, ce sourire, Trouée dans la noirceur, Pégasienne abondance de lumière, Eclaboussant le matin De ses gouttes d’or. Et le rire de la montagne suivit. Un rire d’eau, Démesurément blanc. Blanc le jaillissement. Blanc le vrombissement. Blanc le déferlement. Blanche l’écume. Blanches les brumes. Blanches les perles d’eau, fougueuses, joyeuses, libres. Un frisson de plaisir parcourut le dos de la Terre. Et puis ce fut le silence, le repos... Pâle et douce, l’onde assagie. Fragile mais forte, la vie revenue. Concentriques, les joies des hommes. Lumineux, l’écoulement des jours...
Print:Giclee on Canvas
Size:12 W x 16 H x 1.25 D in
Size with Frame:13.75 W x 17.75 H x 1.25 D in
Frame:White
Canvas Wrap:Black Canvas
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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Biography and recent exhibits Adrianna Wojcik-Muffat-Jeandet was born in 1975. She is French and originally from Poland. She lives and works in Demi-Quartier close to Megève in Haute-Savoie. "The element that truly creates Adrianna Wojcik’s singular quality is her work’s residence around the ‘space’ between appearance and disappearance, banal and extraordinary, or trivial and sublime: areas that are undetermined and invisible, that the artist looks to bring forth, and that provoke within the viewer a form of unstable balance—an indecision about what they think they are thinking and feeling; the unspoken brushed to the surface. From this state of weightlessness (which marks a moment in time that is suspended between two cycles of an event taking place, the act of being noticed by someone, or the moment of being produced or just produced) emerges a rare quality, illustrated by so many subjects: anachronistic subjects that are eternal, but nevertheless on the edge of falling; passing-landscapes that are strange and in the process of changing; suspended expressions that are emotionally moving; fluid matter that is barely present and witnesses the ephemeral and fragile dimension of all mental representation; and absent material that allows a long time for the tree behind the expression captured at the instant of a face to appear. We can certainly feel that a story is being told. We don’t quite know which one, but if we have the patience for contemplation, we can allow ourselves to be absorbed. » Frédéric Elkaïm Art Consultant, Contemporary Art Market Specialist, and Education Coordinator for the Keys to Art and the Collection program at Cercle Menus Plaisirs in Geneva.
Artist featured by Saatchi Art in a collection
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