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Original Surrealism Pop Culture/Celebrity Painting by Gonzalo Sáez
Original Surrealism Pop Culture/Celebrity Painting by Gonzalo Sáez
small-01
Original Surrealism Pop Culture/Celebrity Painting by Gonzalo Sáez
small-02
Original Surrealism Pop Culture/Celebrity Painting by Gonzalo Sáez
Original Surrealism Pop Culture/Celebrity Painting by Gonzalo Sáez
Original Surrealism Pop Culture/Celebrity Painting by Gonzalo Sáez
Original Surrealism Pop Culture/Celebrity Painting by Gonzalo Sáez
Original Surrealism Pop Culture/Celebrity Painting by Gonzalo Sáez

2

"I love Yue" Fine Art Print

Gonzalo Sáez, Spain

$95

Material
  • Archival acid-free canvas
  • Laminated with protective lustre surface
  • Hand-stretched over 100% renewable solid pine stretcher bars, 1.25" thick
Canvas
Size
12 x 16 in ($95)
Select a Canvas Wrap
Black Canvas
Frame
No Frame

Archival-grade Materials

Fade-resistant Inks

Professionally Printed

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

This is a tribute to two of my greatest artistis Leonardo Da Vinci and Yue Minjun.

Year Created:

2015

Medium:

Print, Giclee on Canvas

Rarity:

Open Edition

Size:

12 W x 16 H x 1.25 D in

Ready to Hang:

Yes

Frame:

Not Framed

Canvas Wrap:

Black Canvas

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

Gonzalo Sáez

About the Artist

Gonzalo Sáez

Spain

At this time my stile could be described as Pop Art with a great amount of symbolism and surrealism. My iconography is based on all kind of cultural references and mass media products present in our collective unconscious (trademarks, characters, objects or texts that we all know) although taken out of its context to give them a new sense through the dialog created between them. The most used icons are those refering to my childhood, or even those related to my children’s preferences. Erotism is also common, but with a bit of naivety.

I want to provoke the spectators through this decontextualization of the characters and the apparent incongruency of the performance, and let opposing feelings get out by the title or the iconography I use. I want them to let the childhood memories come out or feel the erotic attraction of a glance, the beauty of violent scenes, or to laugh when figuring out the contradictions of my work.

My paintings have a lot of influence of 50’s and 60’s american and british Pop Art, Paolozzi, Warhol, Lichtenstein, Rauschenberg, Spanish artists like Equipo Crónica, Antonio de Felipe, Óscar Seco, or present ones like Banksy, Takashi Murakami or Yue Minjun. It’s also obvious the influence of illustrators like Milo Manara or Alberto Vargas.

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