97 Views
22
View In My Room
Canvas
20 x 16 in ($120)
White Canvas
White ($160)
97 Views
22
Featured in the Catalog
Featured in Inside The Studio
Artist featured in a collection
Realism, sometimes called naturalism, in the arts is generally the attempt to represent subject matter truthfully, without artificiality and avoiding speculative fiction and supernatural elements. Realism has been prevalent in the arts at many periods, and can be in large part a matter of technique and training, and the avoidance of stylization. In the visual arts, illusionistic realism is the accurate depiction of lifeforms, perspective, and the details of light and colour. But realist or naturalist works of art may, as well or instead of illusionist realism, be "realist" in their subject matter, and emphasize the mundane, ugly or sordid. This is typical of the 19th-century Realist movement that began in France in the 1850s, after the 1848 Revolution,and also social realism, regionalism, or kitchen sink realism. The Realist painters rejected Romanticism, which had come to dominate French literature and art, with roots in the late 18th century.
2021
Giclee on Canvas
20 W x 16 H x 1.25 D in
21.75 W x 17.75 H x 1.25 D in
White
White Canvas
Yes
Ships in a Box
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Argentina
"Always choose the work that transmits sensitivity or sensations to you and remember that ART is always and everywhere interpretation." INTERVIEW: 1 ) https://www.youtube.com/watch?v=Cs1ugetuyP8 2 ) 3 ) Architect. Since 1985 he is trained in the plastic arts at the Academy of Miguel Perez Macias where he develops Drawing and Painting with references from the Italian Renaissance and French Impressionism. He later implements the Pen technique in his Drawings. Like the great Masters. Approaching the countries of this Artist's Painting may amount to the most prodigious of adventures. Undertaken in the first place by his overflowing imagination, immediately encoded by a series of numbered visions, in which Venice and motherhood, in addition expressive photographs and impressive nudes find a preponderant place, and that have their most immediate justification and their most complete explanation in those same other paintings, small and in secondary appearances, which complete and notably enrich the main composition. Marco Ortolan reveals himself as what he is, a first-rate painter, a heir, sure and confident and of the first line, of the plastic goods of the Italian Renaissance, to which he repeatedly alludes, and not only for compositional reasons. , but in search of the cleanest roots of his art, so deepened and expanded that also his work, his own, concludes to be taken as born in In the mid-sixteenth century, and in that privileged place, Venice, whose waters continue to flow, perennially, and without ever interrupting the vitality of its creative ebb. Venice, and within it, several works of art born in different latitudes of that Italy always astonishing when it comes to measuring the capacity and great quality of its various and important static currents throughout so many centuries, which nevertheless achieve the true miracle that this current is constantly renewed and fresh, so much so that the same Marco Ortolan's work seems to emanate from it, not an attitude of respect and great aesthetic understanding, two of the greatest virtues of what this young Architect and Painter, insofar as he takes to the canvas.
Featured in Saatchi Art's printed catalog, sent to thousands of art collectors
Featured in Saatchi Art's curated series, Inside The Studio
Artist featured by Saatchi Art in a collection
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