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10 x 10 in ($100)
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White ($80)
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Large scale square. Representational and abstract elements occupy the same stage in an effort to confound the space and keep interpretation open. Multi-colored gridwork seems to map the shape of a continent in a sea or patchwork field of daiquiri green. A female figure in a dress gestures; her head effaced. An ambiguous pink biomorphic form suggests a cartoon creature. Alternative photos show the piece installed in my 2015 Queens College Art Center exhibit "The Provisional vs. The Dubious" and my "Life and Where We Left it" exhibit at Stumptown in Brooklyn 2021
Print:Giclee on Fine Art Paper
Size:10 W x 10 H x 0.1 D in
Size with Frame:15.25 W x 15.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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"Despite strident efforts to paint the smallness of birds monuments persist. " website: www.sheltonwalsmith.com Published by The Paris Review, Knopf, Vintage, Rizzoli Books, Paris Vogue, Denver Quarterly, Shots Magazine, Harper Collins, The New York Times and others. Exhibited in New York, San Francisco, Prague, St.Thomas and Austin. His most recent one man shows was at Seven Minus Seven Gallery In the US Virgin Islands. Personal interests; weather patterns, the inner life of trees, limes, irrationality, filigreed space, tequila, the middle ages, muay thai boxing, kittens, puppies, red wine, French New Wave cinema, sharp knives, lengths of twine rolled into balls for kittens to rut and nuzzle, cowboy britches, comedy jokes, rosemary short bread, blue moons, red squares, purple rain, carrot juice, my bidet, interiors, monumentality, audit remediation, the direction up. profile pic: Self portrait holding Autumnal Brutalist collage January 26, 2022
Artist featured by Saatchi Art in a collection
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