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View In My Room

"Narrative painting with Mona Lisa "My Beloved Cat Absalom"" Print

Nataliya Bagatskaya

Ukraine

Open Edition Prints Available:
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Acrylic

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14 x 21 in ($255)

14 x 21 in ($255)

16 x 24 in ($274)

20 x 30 in ($314)

24 x 36 in ($393)

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
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Acute psychosis - I talk to the cat. Acute hallucinatory psychosis - I talk to a nonexistent cat. Paranoia - I'm afraid to talk unnecessarily in front of the cat. Schizophrenia - the cat speaks inside me. Neurasthenia - the cat ignores me, and it seems unbearable. Manic-depressiv...

Year Created:

2023

Subject:
Medium:

Print, Giclee on Canvas

Rarity:

Open Edition

Size:

14 W x 21 H x 1.25 D in

Ready to Hang:

Yes

Frame:

Not Framed

Canvas Wrap:

White Canvas

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

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Need more information?

I was born in 1967 and live and work in Kyiv, Ukraine. I am a member of the Union of Artists of Ukraine. My work is represented in private collections and galleries across Ukraine, Lithuania, Kazakhstan, Germany, Sweden, Canada, Italy, Switzerland, Vietnam, the Netherlands, the United States, the United Kingdom, France, and other countries. My primary medium is acrylic painting. I combine hyperrealism, photorealism, and contemporary realism, adapting traditional oil-painting techniques to acrylic media. This approach allows me to achieve both precision and depth while exploring subjects such as still life, nature, the environment, and the human condition. My work does not seek to beautify reality or escape from it. Instead, I focus on the world as it is—complex, fragile, and often contradictory. The war has profoundly transformed both my surroundings and my perception of the world. What once seemed permanent has fractured: homes, roads, plans, trust in the future, and the sense of continuity itself. I create paintings as visual mosaics assembled from these fragments of experience. Rather than offering easy optimism, I explore the space between destruction and hope, loss and resilience, fear and the search for meaning. Through realism, symbolism, and layered imagery, I seek to connect external reality with internal psychological states. One of my ongoing projects, “Hellish Lottery,” examines the absurdity and cruelty of chance during times of war and uncertainty. The series explores how survival often depends not on merit or justice, but on randomness. Domestic interiors interrupted by violence, silent observers, and recurring symbols of fate create a visual language that reflects anxiety, loss, and the fragile nature of human existence. The series suggests that survival is neither a reward nor a consequence of justice, but often a matter of chance. Another ongoing project, “Life in Avatar,” is not an escape from reality but a way of processing it. By gathering fragments of experience and reassembling them into new visual structures, I search for moments of balance and meaning within an unstable world. Creating art is my way of understanding and responding to life. Each painting is an act of reflection and transformation. Through my work, I explore questions of memory, vulnerability, resilience, and the human experience. Art is not only my profession—it is my way of life.

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