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Pixel Pareidolia 003 Print

Christian Dodd

United Kingdom

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About The Artwork

Brightly coloured process painting made up of 1cm squares of oil paint applied adjacent to each other in a strict grid pattern. Made up of hundreds of tiny carefully applied squares of contrasting colour blocking this vibrant piece features highly detailed transitions from blue to red to green and yellow etc which viewed from a distance merge into other colours. Inspired by Gerhard Richter's process paintings this abstract work made with oil paint and pallet knife balances vivid colours to create a harmonious whole composition with a contemporary, modern feel. The surface is highly textured with lots of relief coming from the gestural repeated action of building up the paint in each colour block against the still wet paint from the neighbouring colours. From differing angles different colours become dominant or fade away making this a piece that is continually changing based on the type of light, weather and viewpoint. The full spectrum of colours is used and preparation for completing a piece like this involves laborious mixing of the many colours that will subsequently be applied to the canvas to ensure that each colour is highly saturated and pure. Random gatherings of shapes, marks and colours like this often induce in the viewer a phenomenon called pareidolia. The viewer may see all kinds of images concealed and revealed within the image and believe that there are patterns, animals, faces, symbols etc. Viewers of these pieces often ask me why I chose to embed the image of a given celebrity, cartoon or video game character or other symbol or subject. This piece is shipped unframed, wired and ready to hang.

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:10 W x 10 H x 0.1 D in

Size with Frame:15.25 W x 15.25 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I've explored many subjects over my thirty year practice but my current focus centres around multi-panelled pieces inspired by the mechanics of slide puzzles. In these palimpsest works, I apply multiple layers of images, marks and patterns so that they occupy the same composition but in different states, allowing images and motifs to undergo a transformative process between each layer. This method becomes a metaphor for exploring the intricacies of incompatibility or inevitability and can be disconcertingly jarring or consistently reaffirming dependent upon the work. The deliberate scattering and breaking of images, motifs and symbols allows me to explore many different ideas within a single compositional style and is, for me as an artist, a breakthrough in addressing the disorder and confusion I see in myself and the world around me. Alongside the multi-panelled pieces, I engage in the abstraction of complex subjects in my paintings. By deliberately introducing complexity and then allowing it to evolve into abstraction through the reductive process of painting, I seek to evoke pareidolic reactions from viewers — a reminder of our innate human tendency to find meaning in the seemingly abstract and unfamiliar.

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