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16 x 16 in ($250)
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White ($150)
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SemiLastSupper/Jesus & Judas (reflection) by Patrik Šíma https://www.youtube.com/watch?v=RjlQWdiN7Oo READY TO HANG There are two perspectives within this painting. First one is a simple glance at the Last Supper with an only half attendance by the table (2 sides of the table). The second one is deeper, it is a clash in attitudes between Jesus and Judas, between good and bad. But there is more, the we can see a reflection of top seaters. And those reflections display EVIL in each and one of them, it clearly multiplies. Who is the Apostle sitting by Jesus with a crown on a top of his head? It is up to you. One of Šíma's great strenghts is color. He deserves a lot of attention for his manipulation of color. Color holds his drawing together and helps express inner feelings of the artist at the same time. 100 x 100 cm Acrylic on Canvas
2021
Giclee on Canvas
16 W x 16 H x 1.25 D in
17.75 W x 17.75 H x 1.25 D in
White
White Canvas
Yes
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Czech Republic
Patrik Šíma's new singles INSIDE and I donť know were released. Listen UP on Spotify, iTunes, Deezer, Tidal and others! A new book of poems ZKAŽENÝCH ZUBŮ DÁSNĚ (in Czech) is out NOW. 32 poems reflect on inner feelings of author who is in a fierce conversation with an outside world. Patrik Šíma, born in 1977, is a contemporary and expressionist artist currently living in Prague, Czech Republic. Šíma is evolving so called New figuration which he pushes to the 21st century's new media borders. He focuses on figure in its loneliness as well as flawlessness. By a strong expressive manifestation and large formats he enables man to excel as an unique entity. His figures are always searching the way out and have their meaning contained only in their own existence. Great formats of paintings are significantly completed by collages in smaller sizes, created in an intensive contrast of everydayness sights. One of Šíma's great strenghts is color. He deserves a lot of attention for his manipulation of color. Color holds his artworks together and helps express his inner feelings at the same time. Furthermore, dramatic brush strokes help him express emotion and add a feeling of movement to his works. Although the figure has often been central in Šíma's painting, his approach to it suggests a deep unease about the possibility of celebrating women's beauty. Somewhere along the line, he picked up the colossal force of expression that is rigid and strict. Šíma's forceful handling of the medium emphasizes individual brushstrokes, brushstrokes which create a vibrant environment of superimposed layers.
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