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Stand, Construction Site Print

Fernanda Luz Avendaño

Chile

Open Edition Prints Available:
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Fine Art Paper

Fine Art Paper

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10 x 8 in ($59)

10 x 8 in ($59)

15 x 12 in ($92)

25 x 20 in ($158)

30 x 24 in ($237)

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White ($80)

Black ($80)

White ($80)

Natural Wood ($80)

Metal: Light Pewter ($150)

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$139

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Constructions site are places in transformation, as such they are in between times, in transition. They use effimeral constructions for the workers and effimeral walls to delimitate them. This stand is a little structure, although it's made for giving confort to the workers, it does not look protect...

Year Created:

2018

Subject:
Medium:

Print, Giclee on Fine Art Paper

Rarity:

Open Edition

Size:

10 W x 8 H x 0.1 D in

Size with Frame:

15.25 W x 13.25 H x 1.2 D in

Ready to Hang:

Yes

Frame:

White

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

I work in Santiago, Chile. My work focuses in the representation of urban landscape through painting and drawing, crossing with architecture, urbanism and natural science. I am interested in the poetic relations that exist between contemporary landscape and modernity, thinking landscape as a dialectic image (Benjamin). Some concepts that appear in her artworks are: Ruins, non-place (Auge), Heterotopy (Foucault) and monument, searching through representation their relation of power, throught time and space, and their definition as symbols or allegories. I am interested in painting and drawings because of their composition of layers, where their methodologie speaks not of and instant, but of a visual thinking through time (Hockney) and an analogic language (Deleuze), were there’s space for random elements or accidents (Bacon) I base my work in a geometrical and mathematical system, with a bounded pallete of complex colours (uncleaned and greys), quoting modernism.

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