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Original Realism Nature Painting by David Greene
Original Realism Nature Painting by David Greene
small-01
Original Realism Nature Painting by David Greene
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Original Realism Nature Painting by David Greene
Original Realism Nature Painting by David Greene
Original Realism Nature Painting by David Greene
Original Realism Nature Painting by David Greene
Original Realism Nature Painting by David Greene

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"The dispersal of the seeds of whitebark pine by nutcrackers" Fine Art Print

David Greene, United States

$95

Material
  • Archival acid-free canvas
  • Laminated with protective lustre surface
  • Hand-stretched over 100% renewable solid pine stretcher bars, 1.25" thick
Canvas
Size
16 x 12 in ($95)
Select a Canvas Wrap
White Canvas
Frame
No Frame

Archival-grade Materials

Fade-resistant Inks

Professionally Printed

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

I was looking for lodgepole pine seedlings in a recent fire at Mt Lassen and could not help but notice how many caches of whitebark pine seedlings there were. And the nearest whitebark pine trees were a mile away. The nutcracker depends somewhat on the whitebark, while the tree is completely depend...

Year Created:

2020

Subject:
Styles:
Medium:

Print, Giclee on Canvas

Rarity:

Open Edition

Size:

16 W x 12 H x 1.25 D in

Ready to Hang:

Yes

Frame:

Not Framed

Canvas Wrap:

White Canvas

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

I am the chair of the Forestry Department at Humboldt State University. Painting is a part of my research program (it sharpens my ability to see nature) as well as my teaching (as I teach others how to see nature). I have published almost 100 refereed papers on a number of topics but primarily the regeneration of trees. Those decades of field experience form the subject matter for the art. Each painting is an attempt to instruct and is accompanied by a description of what is being depicted. In particular, I do not focus on patterns, but rather on the processes that give rise to the patterns.

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