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Original Expressionism Body Painting by Eduardo Landa
Original Expressionism Body Painting by Eduardo Landa
small-01
Original Expressionism Body Painting by Eduardo Landa
small-02
Original Expressionism Body Painting by Eduardo Landa
Original Expressionism Body Painting by Eduardo Landa
Original Expressionism Body Painting by Eduardo Landa
Original Expressionism Body Painting by Eduardo Landa
Original Expressionism Body Painting by Eduardo Landa

6

"Z06" Fine Art Print

Eduardo Landa, Germany

$100

Material
  • 100% cotton, acid-free, museum quality paper
  • Printed with archival pigmented inks
  • Has a 2"-3" white border with matte finish
Fine Art Paper
Size
10 x 8 in ($100)
Frame
No Frame

Archival-grade Materials

Fade-resistant Inks

Professionally Printed

Artist Recognition

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

A fragmentation oil paint of a woman, A weightless portrait of the human body. Canvas mounted on archival cartboard.

Year Created:

2023

Subject:
Medium:

Print, Giclee on Fine Art Paper

Rarity:

Open Edition

Size:

10 W x 8 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships rolled in a tube. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

Eduardo Landa

About the Artist

Eduardo Landa

Germany

My work is fundamentally cantered on exploring the human form and character. I find nothing
more interesting than this. I seek to capture the character and essence of the
subject; at other times, I construct a fictitious narrative—developed
in collaboration with the subject. In the end, I believe a
person’s character always comes through, but whether that is the case or not
that should not matter on the final result, the work shall speak for it self.

I like to believe that the influence of architecture,
photography, my cultural background, and personal influences are visibly
present in my painting style.


I intentionally avoid assigning decipherable titles or providing literal
explanations. It is important to me that each viewer approaches the work
without external guidance, forming their own interpretations based solely on
the visual and emotional experience. Today, discourse, statements, and
fabricated personas are often prioritised over the actual work itself. As a result,
the constructed “persona” has, regrettably, come to overshadow the true
substance of what anyone produces.
I understand that this approach runs counter to much of the advice commonly
given to gain visibility. But if we cannot remain true to our principles in creative
endeavours, then what, ultimately, do we have left?

Recognition:

  • Artist featured in a collection

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Erin Remington, Curatorial Director