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This piece (in English, "Learning from autumnal dreams") is quite lyrical. The painting is a combination of landscape-like and purely abstract elements--a synthesis of painting ideas that have fed my soul for over forty years. In it, I am still under the influence of Italian light, but the autumn light of New York is starting to find its own place on the canvas. The painting was made with brush (fine and gross), rag, and roller. Like all of my work, it invites contemplation and reflection over time.
2019
Giclee on Canvas
16 W x 16 H x 1.25 D in
17.75 W x 17.75 H x 1.25 D in
White
White Canvas
Yes
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CORONAVIRUS: DUE TO THE REQUIREMENT IN NEW YORK FOR RESIDENTS TO STAY HOME, I AM UNABLE TO SHIP PAINTINGS FROM MY STUDIO. THUS, ALL PAINTINGS ARE NOT FOR SALE AT THIS TIME. QUALITY PRINTS ARE AVAILABLE, HOWEVER, AND I ENCOURAGE YOU TO CONSIDER BUYING ONE OR MORE. WHEN THE HEALTH CRISIS ENDS, MY ORIGINAL PAINTINGS WILL AGAIN BE AVAILABLE FOR SALE. Above all else, I am a colorist, with a profound love of atmosphere and light. I've been painting professionally for more than 48 years. As sculptor Bob Rivera has written: "As an artist, Tim has developed advanced technical skills in his paintings and it’s been a pleasure for me to see and learn from his growth and progress." Following is a biographical sketch of my life as an artist: 1946: Born in Port Chester, NY. 1960’s: after active Army duty, begins a serious interest in painting, while in college, majoring in Spanish Literature. Receives B.A. (Fine Arts minor) from Colgate University. 1970’s: completes Army service; studies briefly at Art Students League with Theodoros Stamos; enters University of Pennsylvania Graduate School of Fine Arts in Painting, with full scholarship; studies with James Brooks, Jimmy Ernst, Angelo Savelli, Neil Welliver; granted final year out of residence; studies and paints in France, Ireland, Spain; receives M.F. A. in Painting; large acrylic paintings are referred to by critic Clement Greenberg and others as “lyrical abstractions”; exhibits in community galleries in Pennsylvania, New York, and California; paints and studies in Mexico for the first time; teaches art in various conventional and unconventional venues; works as a ceramics factory worker in northern California. 1980’s: creates or designs public art projects in California, Arizona, Mexico, and the Philippines, often in collaboration with local artists; produces representational paintings in oil; produces series of prints (intaglio, monotype) that explore memories of military service and other topics; exhibits in cafes and community centers; teaches ESL, drives truck, works as a turbine engine repair technician in US and Venezuela. Receives MA degree in English from San Francisco State University. 1990s: returns to New York; marries painter Ruth Tepper; sets up home studio on Upper West Side; painting becomes more abstract; teaches in public schools; begins “Cobija” series.
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