In 1959, Cadillac built the most audacious tail fins in automotive history. These weren't styling details — they were a generation's cosmic ambitions hammered into chrome and steel. America had launched satellites into orbit, and Cadillac responded by making cars that looked ready to follow. The bu...
2019
Print, Giclee on Canvas
Open Edition
14 W x 21 H x 1.25 D in
Yes
Not Framed
White Canvas
Ships in a Box
Calculated at checkout.
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
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Ships in a box. Art prints are packaged and shipped by our printing partner.
Printing facility in California.
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United States
I photograph things that deserve a second look. Growing up surrounded by America's automotive heritage in Michigan, I developed an eye for the details most people walk past — the sculptural curve of a 1939 Ford grille, the soaring optimism of a Cadillac tail fin, the way chrome catches light like nothing else on earth. That same attention to overlooked beauty shapes my botanical work. A backlit calla lily and an Art Deco hood ornament have more in common than they appear — both are studies in form, light, and the craftsmanship of things made to be beautiful. I work with museum-quality studio lighting against gallery blacks, transforming authentic subjects into fine art. Based between Michigan and Florida, I photograph classic automobiles and botanical subjects year-round. Every image asks one question: what happens when you look closely enough?
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