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"Rocket Age: 1959 Cadillac Tail Fins" Print

Lyn Gram

United States

Open Edition Prints Available:
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Canvas

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14 x 21 in ($258)

14 x 21 in ($258)

16 x 24 in ($278)

20 x 30 in ($318)

24 x 36 in ($398)

30 x 45 in ($618)

Select a Canvas Wrap

White Canvas

White Canvas

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White ($150)

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$258

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

In 1959, Cadillac built the most audacious tail fins in automotive history. These weren't styling details — they were a generation's cosmic ambitions hammered into chrome and steel. America had launched satellites into orbit, and Cadillac responded by making cars that looked ready to follow. The bu...

Year Created:

2019

Subject:
Medium:

Print, Giclee on Canvas

Rarity:

Open Edition

Size:

14 W x 21 H x 1.25 D in

Ready to Hang:

Yes

Frame:

Not Framed

Canvas Wrap:

White Canvas

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

I photograph things that deserve a second look. Growing up surrounded by America's automotive heritage in Michigan, I developed an eye for the details most people walk past — the sculptural curve of a 1939 Ford grille, the soaring optimism of a Cadillac tail fin, the way chrome catches light like nothing else on earth. That same attention to overlooked beauty shapes my botanical work. A backlit calla lily and an Art Deco hood ornament have more in common than they appear — both are studies in form, light, and the craftsmanship of things made to be beautiful. I work with museum-quality studio lighting against gallery blacks, transforming authentic subjects into fine art. Based between Michigan and Florida, I photograph classic automobiles and botanical subjects year-round. Every image asks one question: what happens when you look closely enough?

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