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Original Conceptual Politics Photography by Robin Repp
Original Conceptual Politics Photography by Robin Repp
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Original Conceptual Politics Photography by Robin Repp
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Original Conceptual Politics Photography by Robin Repp
Original Conceptual Politics Photography by Robin Repp
Original Conceptual Politics Photography by Robin Repp
Original Conceptual Politics Photography by Robin Repp
Original Conceptual Politics Photography by Robin Repp

2

"Vietnam War Memorial Wall" Fine Art Print

Robin Repp, United States

$100

Material
  • Premium glossy photo paper to provide superior color gamut and stunning image quality
  • Printed with archival pigmented inks
  • Has a 2"-3" white border with glossy finish
Photo Paper
Size
12 x 8 in ($100)
Frame
No Frame

Archival-grade Materials

Fade-resistant Inks

Professionally Printed

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

A Young boy looking up at the Vietnam War Memorial Wall in Washington D.C. printed on Hahnemuehle Photo Paper

Year Created:

2016

Subject:
Medium:

Print, Giclee on Photo Paper

Rarity:

Open Edition

Size:

12 W x 8 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships rolled in a tube. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

Robin Repp

About the Artist

Robin Repp

United States

My work explores the concept of anticipation of the future or the unknown. With influences as diverse as Thomas Struth, Dorthea Lange, Elmer Bischoff, and Minor White, I have been using infrared photography, painting, printmaking, the figure in the landscape and social commentary topics to tell my story.

Ever since Berkeley, I have been fascinated by protest and social issues set in the landscape. What starts out as often simple white or abstracted figures against a dark background, leaves the viewer with a sense of dreamlike questioning. Who are these people and what is going on here?

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