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View In My Room

"Shot Down In Flames" Print

Nigel Dawes

United Kingdom

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
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Collected on a single walk through these amazing woods in the Cotswolds around a hidden iron age hill fort. I often go there, and sometimes keep an eye out for the numerous shotgun cartridges scattered throughout the woods. There seems to be a wide variety of colour to this collection, and therefore...

Year Created:

2020

Subject:
Medium:

Print, Giclee on Photo Paper

Rarity:

Open Edition

Size:

12 W x 8 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships rolled in a tube. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

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Need more information?

I have been working with found objects throughout my artistic career, more recently with found plastic objects and fragments. I love the versatility, the intensity of colour, industrial neutrality, and most of all, the way they record their histories over time and space. An interest in collecting and exploring the landscape eventually merged into multiples and site specific art installations. I collect and manipulate discarded plastics of all kinds to create sculptures using adhesives, rivets, cutting and slotting together. Sources of materials include beaches, the countryside, cities, any place where discarded plastic objects are dumped or reappear. The hidden histories of objects, sometimes secret journeys of identical objects towards inevitable individualism fascinate me. Though the sea for example identical objects transform into unique pieces, distinguished now by colour, texture, age. Or perhaps a random experience finding a series of items on a walk through the streets produces an almost surreal motive for a piece. I invent rules for processes as I walk and collect. I record and manipulate the objects I am drawn to work with as I am collecting them, keeping my choices of making processes open to influence from both my thoughts and the landscape they occupy. Often a coincidence will lead to a strong narrative guide for a piece. A found object may reference something historical, political, geographic by its form, its location, its condition.

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