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Drawing, Pencil on Paper
Size: 11.7 W x 16.5 H x 0.1 D in
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138 Views
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Drawing on multi-techniques paper Clairefontaine 250g 29,7x42 cm / 11,7x16,5 in. Ships not framed. 'Secret Winter Garden 3' is part of a series of drawings begun in 2020. I imagined an organic vocabulary of lush nature, where patterns interweave to form a complex mesh between surface and depth. In a way, it's a representation of the feelings and emotions I experience when confronted with the beauty of our planet earth. * 'Secret Winter Garden 3' fait partie d'une série de dessins commencée en 2020. J'ai imaginé un vocabulaire organique d'une nature luxuriante où les motifs s'intriquent pour former un maillage complexe entre surface et profondeur. C'est un peu la représentation de sentiments et d'émotions perçus face à la beauté de notre planète terre.
2023
Pencil on Paper
One-of-a-kind Artwork
11.7 W x 16.5 H x 0.1 D in
Not Framed
No
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The work of Marijah Bac Cam questions the Memory of the Living through the Languages of the Feminine Principle (creative principle of Nature) by means of drawing, painting and increasingly photography and video. What does this chaos of fullness and emptiness mean, enhanced with dots, curves, golden wefts and gestural writing? In the artist's painting we perceive a Living being organized before our eyes, starting with the diffusion of black ink. These dark masses mingle with another color to symbolize the different elements, air, water, fire, earth, ether. Suddenly an organic mesh forms on the surface, connected to the misty depth. It is a question of reversal, as if to lead our gaze towards an inner world, that of the organs, tissues, vessels of an unrepresented body. These drawings express more sensibly an intuitive word in a vegetal and vibratory atmosphere that are our buried memories. They are the representation of the original past in a form that is no longer mental but metaphorical. Graffiti sometimes float here and there, like a palimpsest as if to inscribe a forgotten verbal dimension and question the meaning of forms. Her work evokes images that are almost figurative but difficult to identify. It's a question of everyone's point of view, seen from the sky or underwater, in macro or even in a wide shot. This collective memory seems to define and tell terrestrial and extra-terrestrial landscapes. Does Nature have a universal language that hides in our memory?
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