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Mixed Media, Photography on Wood
Size: 15.7 W x 21.7 H x 2 D in
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ARHE' SERIES oil and photo emulsion on canvas 55 x 40 x 5 cm unique work Framed Includes a Certificate of Authenticity 2023 Equally divided among free creation and photographic experiment, the art work manages to express for the viewer the fine border between the transcendent and immanent. The experiment gradually develops. Out of the burst of the freedom of speech, through an alchemic process, I create photosensitive stands, whom I impregnate with images. A long road of phases and contrast filter follows up, chromatic interventions or of any other nature. When the laborious process seems to be finally coming to an end, I start my search again, with the same enthusiasm, until angels silently find their rest on wood, paper or canvas. The widespread wings of these creatures born in the dark come to life. Just listen to their turmoil and voice… The ARHE series builds on the common theme of angels taking the shape of statues I have photographed during my trips in Italy. I was fascinated by The Italian Renaissance and the way angels are being depicted in this type of sculpture. During several years I took photos of angels while exploring cathedrals and Italian palaces. This way I came up with an important archive of pictures. They have been filtered and selected, digitally edited, developed and enhanced through color. The art works that are exhibited here have arisen from black and white photos developed in a darkroom on various stands: wood, manual paper or canvas using photosensitive substances inside a lab and oil painting afterwards. The technique used has materialized in time starting from the experiment, the photographic trial and their combination with painting. I have created this technical procedure to offer the photos uniqueness so that each and every one of them, manually developed in a darkroom, could become a singular, one of a kind object!
2023
Photography on Wood
One-of-a-kind Artwork
15.7 W x 21.7 H x 2 D in
Patina
Yes
Ships in a Box
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Romania.
Shipments from Romania may experience delays due to country's regulations for exporting valuable artworks.
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I was born in 1977, in Romania. I studied at the National University of Arts in Bucharest. In the art I practice, I combine my training as painter with photographer and paninter artist. The technique used for processing images is unique. I use the analog device, manually developing the photographies on canvas, wood and recycled paper. My work technique has been defined in time, starting with the experimentation of photography and painting. Trained as painter, but with a curiosity towards photography and the classic darkroom photography, I wished to combine in my art the two techniques in order to bring the photography in the area of the unique. Therefore the technical process is based on liquid photoemulsion and different technical additions from the typography area, practically a mix between black and white photography development, darkroom manipulation and painting. Each photography developed this way on handmade paper, canvas or wood has visual particularities unrepeatable, therefore becoming unique. _____________________________ Justinian Scarlatescu is a unique artist who masterfully combines his multiple trainings as a painter, as a photographer and as an illustrator to become a true photographer-wizard. His image processing techniques are quite original. The artist uses an analog camera. Then he develops manually most of his photographs, using cloth, wood and handmade paper as supports for the image. He plays with the aesthetic qualities of photogelatine and intervenes and manipulates the photographs until they reach a unique effect. Each work is a gem executed with sincere devotion and there is no identical copy. Scarlatescu aims to overcome the lack of uniqueness of objects multipliable to infinity like photographs by producing his experimental monoprints. He also subtly criticizes the values of consumer culture that promote the ephemeral and the infinitely replicable. Thus, he manages to create photographs that abdicate the principle of perfect concordance between the real and its representation. He welcomes randomness and elements that might be interpreted as technical errors. Nostalgic in the most beautiful sense, unique and magical, the world Justinian Scarlatescu creates is filled with a peculiar intimacy and a confessed spiritual feeling.
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