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Arabesque Painting

Novi Lim

United States

Painting, Acrylic on Canvas

Size: 32 W x 42 H x 2 D in

Ships in a Crate

$1,550

Shipping included

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226 Views

18

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ABOUT THE ARTWORK

Framed Size: 32 x 42 x 2 inches Unframed Size: 30 x 40 x 1 inches Comes with a solid oak floating frame Details - this is a hand painted, one-of-a-kind original painting. - created in North Carolina, USA. - professional grade acrylic on canvas - acid-free triple primed cotton canvas. - gallery wrapped canvas mounted on a wooden frame. - ready to hang with wire, D rings, and hook. - signed on the back and front. - UV varnished to last for years. - ships securely in a wooden crate with Ph-Neutral glassine paper and bubble wrap. - Certificate of authenticity included. { p r o c e s s } "I like to transport my mind to a calming place, inspired by memories, and complex organic elements found in nature. Playing with colors and movement, creating new compositions -- my best work comes when there is freedom to create without any strict plan. With intuition and spontaneity taking over, the result is often a surprise. To me, everything flows, and there is always a sense of balance and harmony that can emerge out of disorder. I love the ambiguous and mysterious nature of abstraction. Through self-discovery and experimentation, I am allowing dynamic energy that manifests through the joy of creating. The result is loose interpretations of anything that exists between the mind and reality, therefore each painting is unique and sometimes inexplicable."

DETAILS AND DIMENSIONS
Painting:

Acrylic on Canvas

Original:

One-of-a-kind Artwork

Size:

32 W x 42 H x 2 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I believe that abstraction is the ultimate door to a very personal visual language. 
Hidden symbols, memories, and unique perspectives are woven beneath the art. It could be about innocence, heritage, nostalgia, nature, a sense of beauty, and even darkness. Every deliberate mark, tension, pressure, or velocity that an artist applies to the canvas with the love of paint, a brush, or any weapon of choice and color combination is a simplified, yet concealed visual language that is coded, composed, and expressed into a work of art.

 Finding and encapsulating the spirit and subtleties of the natural world is what interests me. In my process, I let the freedom of movement take shape—with soft curves, edges, and swiping brushstrokes, drawing inspiration from forms that resemble aquatic, avian, and botanical forms.  
 The beauty of nature, birds, and botanical are the muse behind my collection. I grew up in a densely populated, concrete jungle in Java with very little access to fresh air, grass, or open spaces. I love animals, and being outside with my dogs. I constantly long to be around greeneries, away from the crowd. Only when I moved to North Carolina was I surrounded by an abundance of nature, which sparks my creativity. All of my abstract paintings are the intuitive outcome of my desire 
 The first flow of movement occurs intuitively, followed by the layering of different techniques and detail work to achieve textural contrast, dimension, and depth. Imagining a burst of petals that blooms, seeing something as simple as the calming gradient of the colorful sky at sunset, or the surface of water that glimmers in the nighttime makes me wonder about the mystery of the deepest oceans, have all piqued my state of flow. Creating art is a way for me to embrace my individualistic tendencies and penchant for creativity.

 At the core, I am more interested in the sensorial and experiential aspects of feelings and processes. It is a collaborative event of constructing my vision and letting go of inhibition in the pursuit of harmony. Following my curiosity. embracing the unknown, and drawing out what's hidden inside into something physical truly gratifies me.

 Working with acrylics, immediacy is an important factor in the process and it helps to retain a spontaneous quality that I love. I also enjoy dynamic line work, gradation, and a play of light and dark to give each of my works a quiet intensity.

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