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Painting, Acrylic on Paper
Size: 55.1 W x 78.7 H x 0.1 D in
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324 Views
47
Featured in the Catalog
Showed at the The Other Art Fair
Artist featured in a collection
Mixed media on fine art Canvas grain paper Canson Figueras ® 290g / m² 200H x 140W cm (78,74H x 55,11 W in). Delivered rolled in a tube. +++ Advice: It is possible to frame the artwork or to pin it directly to the wall like a poster or even to paste it on a wooden panel which will then hang on the wall. Or I can also offer you a presentation in 'Kakemono' with two wooden sticks at each end with a suspension with a rope from the top (on request) The paper used is solid enough to be pasted. 'CO2' is an abstract representation of the air under our era, charged and impure with carbon dioxide. It is an expression of a warning on the damage that we cause to our environment.
2020
Acrylic on Paper
One-of-a-kind Artwork
55.1 W x 78.7 H x 0.1 D in
Not Framed
Not applicable
Ships Rolled in a Tube
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
France.
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The work of Marijah Bac Cam questions the Memory of the Living through the Languages of the Feminine Principle (creative principle of Nature) by means of drawing, painting and increasingly photography and video. What does this chaos of fullness and emptiness mean, enhanced with dots, curves, golden wefts and gestural writing? In the artist's painting we perceive a Living being organized before our eyes, starting with the diffusion of black ink. These dark masses mingle with another color to symbolize the different elements, air, water, fire, earth, ether. Suddenly an organic mesh forms on the surface, connected to the misty depth. It is a question of reversal, as if to lead our gaze towards an inner world, that of the organs, tissues, vessels of an unrepresented body. These drawings express more sensibly an intuitive word in a vegetal and vibratory atmosphere that are our buried memories. They are the representation of the original past in a form that is no longer mental but metaphorical. Graffiti sometimes float here and there, like a palimpsest as if to inscribe a forgotten verbal dimension and question the meaning of forms. Her work evokes images that are almost figurative but difficult to identify. It's a question of everyone's point of view, seen from the sky or underwater, in macro or even in a wide shot. This collective memory seems to define and tell terrestrial and extra-terrestrial landscapes. Does Nature have a universal language that hides in our memory?
Featured in Saatchi Art's printed catalog, sent to thousands of art collectors
Handpicked to show at The Other Art Fair presented by Saatchi Art in London
Artist featured by Saatchi Art in a collection
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