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Painting, Acrylic on Canvas
Size: 31.5 W x 19.7 H x 0.2 D in
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46 Views
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In my practice I like to divide composition into different surfaces and make the viewer and the composition move together. In this painting I worked with layers of different colors and textures. I wanted to create another utopia of landscape and create a color field of shapes that would create a break in the viewer’s habit of looking at paintings. The different shapes, colors and gradients play with proportions, repetition and disappearance of each of them together and by themselves. Diptych of canvas on cardboard panel, Acrylic and pigments, 40x50(x2) 2020
Acrylic on Canvas
One-of-a-kind Artwork
31.5 W x 19.7 H x 0.2 D in
2
Not Framed
No
Ships in a Box
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Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Israel.
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French-Israeli artist, lives and works in Tel Aviv, Israel. Graduated from the fine arts of Paris (ENSBA),LVMH young artist award 2006, TAKASAGO prize 2008. She believes that order in chaos leads to an equilibrium of harmony. Jessica ’s corpus of art is an infinite voyage. Her calling never discovers a termination. Light is an exceptional commodity for her, the infinite evolution of colors, untangible moment of grace, and interactions with architecture. her process starts by translating this reflection and materialize them in shapes, lines and color harmonies She builds utopian architecture (mindscape) where she unveils impossible geometry. Her art-objects are keys to new dimensions, a new approach of colors. the structures display optical illusion that distract us from rational thinking and logic. Her art is inspired by former Bauhaus artists like Josef Albers. Jessica lives in Tel Aviv, where the traces of this movement are still to be found in the city architecture. Albers inspired Moritz to consider herself profound with the theory of color. Her inquiry led to an inspirational mission to flourish a very own attitude to this optical material. She believes in a sustainable way of producing her art. In consideration of climate change, she reclaims materials to use the existing. She gathers material on her trips and transforms them during a magical process into a new purpose. She tries to avoid a replacement out of senseless consumerism.
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